Connecting Gear

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Summary

Core Principle of Signal Flow

This article will discuss signal flow, cables and device names in this order:

Source to Destination 
examples
  • Microphone to Mixer to Loudspeaker 

  • Guitar to Guitar Modeler to Mixer to Loudspeaker 


TODO A short explanation of what “connecting gear” means and why it matters.


Principles

Balanced vs Unbalanced

Bose Systems General Information

  • Combo inputs
  • ¼″ (6.3 mm) Tip‑Ring‑Sleeve
  • ¼″ (6.3 mm) Tip‑Sleeve
  • XLR
  • Line level vs mic level
  • Inputs vs outputs

Gain Staging

Ground Loop

Line Noise

  • When to use ToneMatch
  • When to use a mixer

Troubleshooting

  • No sound
  • Distortion
  • Hum or buzz
  • Feedback
  • Wrong cable type

Principles of connecting mixers, instruments, microphones, and external devices.

Common Scenarios

L1 Pro to S1 Pro+

L1 Pro to S1 Pro

L1® Model II with Mixer to Analog Input

L1 Model I with Mixer to Analog Input

Mixer to L1 Pro

Mixer to L1 Model I or L1 Model II

Mixer to Two L1 Model II

Mixer to S1 Pro

Mixer to Share Presets on S1 Pro

Mixer to S1 Pro

Mixer to S1 Pro as Monitor

Mixer to S1 Pro as Monitor

Mixer to S1 Pro+

Mixer to ToneMatch Mixer

S1 Pro to Third Party Device

S1 Pro to a Third Party Mixer

S1 Pro+ to Third Party Device


T1 to L1 Pro

ToneMatch Mixer to S1 Pro

ToneMatch Mixer to S1 Pro+

ToneMatch Mixer to L1 Legacy

ToneMatch Mixer to L1 Pro

ToneMatch to Third Party Devices

T8S ToneMatch Mixer to T8S ToneMatch Mixer

T8S ToneMatch Mixer Aux Output to S1 Pro