Fiddle: Difference between revisions
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For fiddle players who prefer the freedom of a pickup or mic clipped to their instrument, plugging direct into the L1 Model 1 power stand may pose special challenges. In spite of all, "bow scritch" and a certain "snark" only they know, may come blasting through with the same crystal clarity as the good stuff - the warm, woody tones of a well-seasoned fiddle. | For fiddle players who prefer the freedom of a pickup or mic clipped to their instrument, plugging direct into the L1 Model 1 power stand may pose special challenges. In spite of all, "bow scritch" and a certain "snark" only they know, may come blasting through with the same crystal clarity as the good stuff - the warm, woody tones of a well-seasoned fiddle. | ||
Short of a Model I or T1 preset to address the issue, this article presents an outboard gear solution that has worked for several years now for our band, an acoustic Celtic trio. Our fiddle player uses a Crown GLM 200 condensor clip mic, plugged through a small rack box of dual outboard gear. Dual, since the same gear, other side, is shared with her [[ | Short of a Model I or T1 preset to address the issue, this article presents an outboard gear solution that has worked for several years now for our band, an acoustic Celtic trio. Our fiddle player uses a Crown GLM 200 condensor clip mic, plugged through a small rack box of dual outboard gear. Dual, since the same gear, other side, is shared with her [[Hammered Dulcimer]]. <!-- Mary, links within the wiki are done with double brackets and no http: part at all) --> | ||
===Condensor mic? Isn't that a no-no?=== | ===Condensor mic? Isn't that a no-no?=== | ||