Fiddle: Difference between revisions

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For fiddle players who prefer the freedom of a pickup or mic clipped to their instrument, plugging direct into the L1 Model 1 power stand may pose special challenges.  In spite of all, "bow scritch" and a certain "snark" only they know, may come blasting through with the same crystal clarity as the good stuff - the warm, woody tones of a well-seasoned fiddle.
For fiddle players who prefer the freedom of a pickup or mic clipped to their instrument, plugging direct into the L1 Model 1 power stand may pose special challenges.  In spite of all, "bow scritch" and a certain "snark" only they know, may come blasting through with the same crystal clarity as the good stuff - the warm, woody tones of a well-seasoned fiddle.


Short of a Model I or T1 preset to address the issue, this article presents an outboard gear solution that has worked for several years now for our band, an acoustic Celtic trio.  Our fiddle player uses a Crown GLM 200 condensor clip mic, plugged through a small rack box of dual outboard gear.  Dual, since the same gear, other side, is shared with her [[hammered dulcimer]].
Short of a Model I or T1 preset to address the issue, this article presents an outboard gear solution that has worked for several years now for our band, an acoustic Celtic trio.  Our fiddle player uses a Crown GLM 200 condensor clip mic, plugged through a small rack box of dual outboard gear.  Dual, since the same gear, other side, is shared with her [[http://toonz.ca/bose/wiki/index.php?title=Hammered_Dulcimer hammered dulcimer]].


===Condensor mic? Isn't that a no-no?===
===Condensor mic? Isn't that a no-no?===