Roland GR-33 Guitar Synthesizer Review: Difference between revisions

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==Interaction with the L1==

Since the L1 is so transparent, care must be taken with gain staging process your choice of patch for gain staging is important. Pick a patch where both tones attack is zero so that the highest volume is at the beginning of the note. Sounds so logical doesn’t it…… but I have been caught out in performances with pad type patches that swell and develop and overwhelm the song.

Since the {{L1}} is so transparent, care must be taken with gain staging process your choice of patch for gain staging is important. Pick a patch where both tones attack is zero so that the highest volume is at the beginning of the note. Sounds so logical doesn’t it…… but I have been caught out in performances with pad type patches that swell and develop and overwhelm the song.

Using the compressor on the {{T1}}may help.

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With the gain staging set right, the sound of the you will be in sonic heaven and the capabilities of the GR-33 and the L1 will amaze.

But beware ….if you are performance wise with the GR-33 on other amps and PA’s do not assume the patches will behave for you on the L1 as for other systems. Test every GR-33 patch with the L1 before you hit the stage or you may end up with nasty surprise.

But beware ….if you are performance wise with the GR-33 on other amps and PA’s do not assume the patches will behave for you on the L1 as for other systems. Test every GR-33 patch with the {{L1}} before you hit the stage or you may end up with nasty surprise.

For eg: GR-33 patch C84 – Phaser Str2 contains a phaser sweep tone that reaches deep bass tones that may not have been audible on other systems that don’t have the range of the {{B1}}.

@@ Line 36: / Line 36: @@
 ==Interaction with the L1==
-Since the L1 is so transparent, care must be taken with gain staging process your choice of patch for gain staging is important. Pick a patch where both tones attack is zero so that the highest volume is at the beginning of the note. Sounds so logical doesn’t it…… but I have been caught out in performances with pad type patches that swell and develop and overwhelm the song.
+Since the {{L1}} is so transparent, care must be taken with gain staging process your choice of patch for gain staging is important. Pick a patch where both tones attack is zero so that the highest volume is at the beginning of the note. Sounds so logical doesn’t it…… but I have been caught out in performances with pad type patches that swell and develop and overwhelm the song.
 Using the compressor on the {{T1}}may help.
@@ Line 42: / Line 42: @@
 With the gain staging set right, the sound of the you will be in sonic heaven and the capabilities of the GR-33 and the L1 will amaze.
-But beware ….if you are performance wise with the GR-33 on other amps and PA’s do not assume the patches will behave for you on the L1 as for other systems. Test every GR-33 patch with the L1 before you hit the stage or you may end up with nasty surprise.
+But beware ….if you are performance wise with the GR-33 on other amps and PA’s do not assume the patches will behave for you on the L1 as for other systems. Test every GR-33 patch with the {{L1}} before you hit the stage or you may end up with nasty surprise.
 For eg: GR-33 patch C84 – Phaser Str2 contains a phaser sweep tone that reaches deep bass tones that may not have been audible on other systems that don’t have the range of the {{B1}}.