Vocal and Guitar Performance Techniques: Difference between revisions

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-== Microphone Technique ==
+== Vocal Tone ==
-=== Working the Mic ===
+=== Good air ===
+=== Diction ===
+=== Consonants, Ending consonants ===
+==== Plosives ====
+* Having trouble with popping consonants? Move closer to the microphone. Eliminate plosives by keeping  your lips on the windscreen
+=== Chest, throat, nose ===
+=== EQing with technique ===
+=== Shape mouth, throat ===
+=== Push forward or back ===
+==== Working the Mic ====
 * Moving back from the microphone robs you of tone.
 * The ToneMatch® Filters were created for close microphone technique.
+==== Stay Glued to the Windscreen ====
+* If you move your head around the microphone, swivel so that you mouth is always pointed at the windscreen.
-=== Stay Glued to the Windscreen ===
+=== Mic is an instrument ===
-* If you move your head around the microphone, swivel so that you mouth is always pointed at the windscreen.
+=== Listen & experiment ===
-=== Plosives ===
+== Guitar Tone ==
-* Having trouble with popping consonants? Move closer to the microphone. Eliminate plosives by keeping  your lips on the windscreen
+=== Flesh/nail/pick ===
+=== EQ with fingers ===
+=== Demonstrate ===
+=== Flesh & nail ===
+=== Picks ===
+=== Hand position ===
+=== Find good instrument tones for your instrument ===
+=== Cover all frequencies ===
+=== Tailor to function in mix ===
+=== Listen & experiment ===
+== Performing ==
+=== Dynamics ===
+=== Stay out of own way ===
+=== Match EQ to mix ===
+=== Don't push/press harmonica player ===
+* Harmonica player = Larry Adler
+=== turn up if necessary & pull back ===
+=== Avoid tension ===
+=== Listen & experiment ===
+=== Conclusion ===
+=== Good tone a function of listening & experimenting ===
 == Guitar Technique ==