Tonematch Mixers / Compressor: Difference between revisions
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m Notes from pages 30 and 31 of the [http://www.bose.com/pdf/musicians/product_guides/t1_tonematch_audio_engine.pdf T1™ manual] |
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Notes from pages 30 and 31 of the [http://www.bose.com/pdf/musicians/product_guides/t1_tonematch_audio_engine.pdf T1™ manual] | |||
Using compressor/gate functions | |||
The Comp/Gate function provides access to gate, compression, limiter, de-esser and | |||
kick drum presets with adjustable parameters. | |||
Note: To bypass the Comp/Gate settings, press the Type button. Press it again to | |||
activate. | |||
1. Rotate the Type button to access the list of Comp/Gate effects and highlight | |||
your choice: | |||
* Compressor 1: Light | |||
** Compressor featuring a preset low-compression ratio with variable threshold and | |||
gain parameters. Works well as a general-purpose compressor for most instruments | |||
and microphones that require minimal level control. | |||
* Compressor 2: Medium | |||
** Compressor featuring a preset moderate compression ratio with variable threshold | |||
and gain parameters. Works well with basses, guitars, keyboards, and vocals | |||
requiring subtle level control. | |||
* Compressor 3: Heavy | |||
** Compressor featuring a preset high compression ratio with variable threshold and | |||
gain parameters. Works well with loud instruments – like horns and drums, as well | |||
as strong vocals that require more aggressive level control. | |||
*Limiter | |||
#Hard limiter featuring a preset ratio (8:1) with variable threshold and gain parameters. | |||
Works well with very loud instruments, such as drums, to prevent signal peaks | |||
from overloading the channel. | |||
*De-Esser | |||
**Side-chained compressor featuring a preset compression ratio with variable | |||
threshold and gain parameters. Designed to reduce sibilance on vocals. | |||
Noise Gate....................... Noise gate with a fast preset attack time, variable threshold, and variable speed | |||
(release time). Well-suited for eliminating unwanted noise from microphones and | |||
instruments. | |||
*KickGate 1: Regular | |||
*Gate featuring a preset attack time, and variable threshold and tightness (release | |||
time) parameters. This is a Bose® proprietary technology designed specifically for | |||
kick drums. This robust gate provides maximum gain before feedback, making your | |||
kick drum as loud as possible through an L1TM system. | |||
**KickGate 2: Fast | |||
*Same as KickGate 1 – but adjusted for faster tempos. Select this setting if you are | |||
using a double bass drum pedal. | |||
2. Press the Select button to select your choice, or press the Cancel button to exit the list with no change. | |||
3. For Comp1-3, Limiter, De-Ess: | |||
Rotate the Thresh button to adjust the input threshold (trigger) level from | |||
-50dB to 0dB. Rotate the Gain button to adjust the gain from 0dB to 30.0dB. The gain bar above the button | |||
shows the amount of gain reduction. This display helps in setting the threshold. | |||
For Gate: Rotate the Thresh button to adjust the input threshold (trigger) level from -90dB to -30dB. Rotate | |||
the Speed button to set the gate closing speed to any value from 0 (fastest) to 100% (slowest). | |||
For Kick1-2: Rotate the Thresh button to adjust the input threshold (trigger) level from -20dB to 0dB. | |||
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