Acoustic Guitar Tone & the L1®: Difference between revisions

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One guitar was a Goodall grand concert with a Sunrise, a Fishman SBT (soundboard transducer), & a Joe Mills mic. A custom 4-conductor plug & jack (TRRS) fed each of the pickup signals through a 9-conductor cord (built for 3 discrete mic signals) to 2 Fishman Pocket Blender preamps. Blender 1 processed the Sunrise & SBT & mixed those to the pickup channel on Blender 2 while the Joe Mills went to the mic channel on Blender 2. The Sunrise was EQ'd with bass full up & the treble full down. The SBT was flat on bass & to 3 o'clock on the treble. The Mills mic was EQ'd with bass at 3 o'clock (or full up, I can't remember) & the treble about 11:00. The output of Blender 2 then went to channel 3 of the L1.

[[Image:TomAvatar01.jpg|right|Tom and his Pederson taken at Big Sur April 2006]]

The other guitar was a Pederson small body custom guitar with a triple system from Pickup-the-World (2 top sensors & 1 under-saddle sensor) & a Joe Mills mic. The combined PUTW pickups & the Mills mic went through a stereo jack & plug through a Mogami 6-conductor cord (built for 2 discrete mic signals) to a Rane AP 13 preamp. The PUTW was EQ'd with the 40 Hz at 6dB boost & the rest flat, & the Mills mic was EQ'd with the Low Cut at about 250 Hz & the rest flat.

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 One guitar was a Goodall grand concert with a Sunrise, a Fishman SBT (soundboard transducer), & a Joe Mills mic. A custom 4-conductor plug & jack (TRRS) fed each of the pickup signals through a 9-conductor cord (built for 3 discrete mic signals) to 2 Fishman Pocket Blender preamps. Blender 1 processed the Sunrise & SBT & mixed those to the pickup channel on Blender 2 while the Joe Mills went to the mic channel on Blender 2. The Sunrise was EQ'd with bass full up & the treble full down. The SBT was flat on bass & to 3 o'clock on the treble. The Mills mic was EQ'd with bass at 3 o'clock (or full up, I can't remember) & the treble about 11:00. The output of Blender 2 then went to channel 3 of the L1.
+[[Image:TomAvatar01.jpg|right|Tom and his Pederson taken at Big Sur April 2006]]
 The other guitar was a Pederson small body custom guitar with a triple system from Pickup-the-World (2 top sensors & 1 under-saddle sensor) & a Joe Mills mic. The combined PUTW pickups & the Mills mic went through a stereo jack & plug through a Mogami 6-conductor cord (built for 2 discrete mic signals) to a Rane AP 13 preamp. The PUTW was EQ'd with the 40 Hz at 6dB boost & the rest flat, & the Mills mic was EQ'd with the Low Cut at about 250 Hz & the rest flat.