Template:Feedback FAQ: Difference between revisions

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Set your source at its loudest performance level, then raise the Trim until you get solid green with occasional yellow (never red).   
Set your source at its loudest performance level, then raise the Trim until you get solid green with occasional yellow (never red).   
Once Trim is set, use channel volume for mixing — not Trim.
Once Trim is set, use channel volume for mixing — not Trim.
 
{{FAQItem
For detailed steps for T1, T4S, and T8S, see [[Feedback / Microphone#Gain Staging]].
|question=Details for the T4S/T8S
|answer={{T4S/T8S Gain Staging}}
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{{FAQItem
|question=Details for the T1
|answer={{T1 Gain Staging}}
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For more  detailed steps for T1, T4S, and T8S, see [[Feedback / Microphone#Gain Staging]].
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{{FAQItem
{{FAQItem
  |question = How close should I be to the microphone?
  |question = Microphone Technique?
  |answer  =  
  |answer  =  
Use close‑microphone technique: lips touching the windscreen.   
Use close‑microphone technique: lips touching the windscreen.   
Every halving of distance gives roughly 6 dB more gain before feedback.
Every halving of distance gives roughly 6 dB more gain before feedback.
 
{{FAQItem
|question = Close Microphone Technique details
|answer = {{Close Microphone Technique}}
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For more, see [[Feedback / Microphone#Close Microphone Technique]].
For more, see [[Feedback / Microphone#Close Microphone Technique]].
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Supercardioid and hypercardioid microphones provide the best gain‑before‑feedback, followed by cardioid.   
Supercardioid and hypercardioid microphones provide the best gain‑before‑feedback, followed by cardioid.   
Omnidirectional microphones provide the least.
Omnidirectional microphones provide the least.
{{FAQItem
| question=Details about Directional Microphones
| answer= {{Directional Microphones}}
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For examples and diagrams, see [[Feedback / Microphone#Directional Microphones]].
For examples and diagrams, see [[Feedback / Microphone#Directional Microphones]].