Line 6 Helix to L1 Pro: Difference between revisions

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"XLR Outputs Choose "Mic" when connecting the Helix XLR outputs to standalone mic preamps or the XLR mic inputs on mixers; choose "Line" when connecting to studio monitors or the line inputs on mixers. When using a mono playback system, connect only the LEFT/MONO XLR jack."
"XLR Outputs Choose "Mic" when connecting the Helix XLR outputs to standalone mic preamps or the XLR mic inputs on mixers; choose "Line" when connecting to studio monitors or the line inputs on mixers. When using a mono playback system, connect only the LEFT/MONO XLR jack."
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[[Category:How To]]
[[Category:How To]]
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== Summary ==
== Summary ==


;For best results: Connect the output(s) of a line-level source (e.g. Helix line-level outputs) to the line-level inputs of the L1 Pro. These are the 1/4-inch (6.3 mm) Tip-Ring-Sleeve jacks on channels 1, 2, 3.
;For best results for long cable runs, use a Line Level balanced connection
 
Connect the output(s) of a line-level source (e.g. Helix line-level outputs) to the line-level inputs of the L1 Pro. These are the 1/4-inch (6.3 mm) Tip-Ring-Sleeve jacks on L1 Pro inputa 1, 2, 3.


;Note: The XLR jacks on the L1 Pro are microphone-level signal sources, '''not''' line-level outputs.
;Note: The XLR jacks on the L1 Pro are microphone-level signal sources, '''not''' line-level outputs.
[[File:L1 Pro Line Level Inputs small.jpg|300px]]


The L1 Pro line-level inputs are the 1/4-inch (6.3 mm) Tip-Ring-Sleeve jacks on channels 1, 2, 3.
[[File:L1 Pro Line Level Inputs small.jpg|400px|align=Right|Caption=The L1 Pro line-level inputs are the 1/4-inch (6.3 mm) Tip-Ring-Sleeve jacks on channels 1, 2, 3]]
 


;Don't connect Line-Level Inputs to the XLR Inputs (Inputs 1 and 2) on the L1 Pro.
;Don't connect Line-Level Inputs to the XLR Inputs (Inputs 1 and 2) on the L1 Pro.
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===Balanced 1/4 inch tip-ring-sleeve connection (Line Level) ===
===Balanced 1/4 inch tip-ring-sleeve connection (Line Level) ===
Set the Helix 1/4 outputs to Line level and use 1/4 inch (6.3 mm) Tip-Ring-Sleeve cables to inputs 1, 2, or 3. If connecting to inputs 1 or 2 set the ToneMatch switch to Off and tone controls to 12:00 o'clock and reverb off.
Set the Helix 1/4 outputs to Line level and use 1/4 inch (6.3 mm) Tip-Ring-Sleeve cables to inputs 1, 2, or 3. If connecting to inputs 1 or 2 set the ToneMatch switch to Off and tone controls to 12:00 o'clock and reverb off.
===Balanced XLR connection (Mic Level) ===
Set the XLR outputs to MIC level, you can use XLR cables to inputs 1 and 2. Set the ToneMatch switch to Off and tone controls to 12:00 o'clock and reverb off.


===Balanced XLR to 1/4 inch tip-ring-sleeve connection mono (Line Level) ===
===Balanced XLR to 1/4 inch tip-ring-sleeve connection mono (Line Level) ===
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Set the output level on the Helix to Line level if using the XLR to 1/4 inch (6.3 mm) Tip-Ring-Sleeve
Set the output level on the Helix to Line level if using the XLR to 1/4 inch (6.3 mm) Tip-Ring-Sleeve
On the L1 Pro - running mono, connect to input 3 (that's as close to FRFR as you can get). If you want to run left/right outputs (there's no real point because the L1 Pro is mono anyway),  
On the L1 Pro - running mono, connect to input 3 (that's as close to FRFR as you can get). If you want to run left/right outputs (there's no real point because the L1 Pro is mono anyway),  
===Balanced XLR connection (Mic Level) ===
Set the XLR outputs to MIC level, you can use XLR cables to inputs 1 and 2. Set the ToneMatch switch to Off and tone controls to 12:00 o'clock and reverb off.


===Ordinary guitar cable (avoid using cables longer than 6 meters) (Instrument Level) ===
===Ordinary guitar cable (avoid using cables longer than 6 meters) (Instrument Level) ===