Sennheiser MD 441: Difference between revisions
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It has a lift in the upper midrange and details in the highs that comes close to sounding like a good condenser microphone. This also helps me to project, compete, and be heard in a busy stage mix. | It has a lift in the upper midrange and details in the highs that comes close to sounding like a good condenser microphone. This also helps me to project, compete, and be heard in a busy stage mix. | ||
As you should expect from a super cardioid microphone, you want to sing directly into it. However, if you read the instruction manual, there's a hint. When using the brilliance switch, sing over the microphone instead of directly into it. You can use it hand-held and not obstruct your face. | As you should expect from a super cardioid microphone, you want to sing directly into it. However, if you read the instruction manual, there's a hint. When using the brilliance switch, sing over the microphone instead of directly into it. You can use it hand-held and not obstruct your face. | ||
===Singing with Bose Portable PA=== | ===Singing with Bose Portable PA=== | ||
[[File:MD 441 Frank Zappa.jpg|300px|right]] | |||
If you use Bose portable PA gear, you'll be happy to know this microphone works well with every version of the {{L1 nl}}, and {{F1}} and even the {{S1 Pro}}, because being a dynamic microphone, it doesn't require phantom power. | If you use Bose portable PA gear, you'll be happy to know this microphone works well with every version of the {{L1 nl}}, and {{F1}} and even the {{S1 Pro}}, because being a dynamic microphone, it doesn't require phantom power. | ||