Template:Microphone Polar Pattern: Difference between revisions
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=== Unidirectional Microphone === | === Unidirectional Microphone === | ||
[[Image:uni_con.gif|left]] These are sensitive to sound coming from only one direction – let’s say from a guitar amplifier. | [[Image:uni_con.gif|left]] These are sensitive to sound coming from only one direction – let’s say from vocalist singing directly on axis, into the microphone or a guitar amplifier. | ||
==== Cardioid ==== | ==== Cardioid ==== | ||
The most common type of unidirectional microphone is called a “cardioid” because its pickup pattern is heart-shaped. It picks up most sound from the front of the microphone and some from the sides. | The most common type of unidirectional microphone is called a “cardioid” because its pickup pattern is heart-shaped. It picks up most sound from the front of the microphone and some from the sides. | ||
Although you will get better gain-before-feedback from a cardioid microphone than an omnidirectional microphone, you will get better gain-before-feedback from a supercardioid or hypercardioid microphone (see next section). | |||
Examples of common cardioid microphones (good to great microphones but not necessarily the best for gain-before-feedback with Bose L1 systems) | |||
* Sennheiser e 835, e 935, MD 935 | |||
* Shure SM 58, SM 57, Beta 87C | |||
==== Supercardioid / Hypercardioid ==== | ==== Supercardioid / Hypercardioid ==== | ||
[[Image:superhypercardioid_icons.gif|left]] Supercardioid or hypercardioid microphones offer even greater sound isolation through narrower pickup patterns. | [[Image:superhypercardioid_icons.gif|left]] Supercardioid or hypercardioid microphones offer even greater sound isolation through narrower pickup patterns. | ||
Examples of common supercardioid/hypercardioid microphones | |||
* Audix OM 5, OM 3b, OM 6, OM 7, VX 5 | |||
* Neumann KMS 105 | |||
* Sennheiser e 845, e 865, e 945, e 965, MD 945 | |||
* Shure Beta 58A, Beta 87A | |||
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