Review / Microphone / Various: Difference between revisions

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# Neumann KMS 105
# Neumann KMS 105
# Sennheiser e 965
# Sennheiser e 965
# Sennheiser MD 435
# Audix VX-5
# Audix VX-5
# AKG C535  
# AKG C535  
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It is interesting because it has a switchable polar pattern (Supercardioid/Cardioid). This gives you the flexibility to use it with a vocalist who cannot consistently sing directly into the microphone. The others on this list are less forgiving. It also has a built-in -10 dB pad and a low-frequency roll-off for controlling the [[Proximity Effect|proximity effect]] that occurs with many directional microphones when you use the close-microphone technique ("eat the mic").
It is interesting because it has a switchable polar pattern (Supercardioid/Cardioid). This gives you the flexibility to use it with a vocalist who cannot consistently sing directly into the microphone. The others on this list are less forgiving. It also has a built-in -10 dB pad and a low-frequency roll-off for controlling the [[Proximity Effect|proximity effect]] that occurs with many directional microphones when you use the close-microphone technique ("eat the mic").


I got the Audix VX-5 in 2018. It is an excellent microphone that took the number two spot on my list. Since then, the Sennheiser e 965 has bumped it down to number three.
I got the Audix VX-5 in 2018. It is an excellent microphone that took the number two spot on my list. Since then, the Sennheiser e 965 and Sennheiser MD 435 have bumped it down to number three.
 


The AKG C585, Rode S1, and the Shure Beta 87a sound very similar to me. Well defined, accurate, but lacking the lustre of the Neumann KMS105 and Sennheiser e 965.  
The AKG C585, Rode S1, and the Shure Beta 87a sound very similar to me. Well defined, accurate, but lacking the lustre of the Neumann KMS105 and Sennheiser e 965.