Review / Microphone / Various: Difference between revisions

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July 2021

I can now add to the list of great microphones for the {{L1}} the Sennheiser e 965. It is an extremely flattering vocal microphone, and it performs just like you would expect a high-quality condenser microphone to sound. It has two polar patterns (Supercardioid/Cardioid), a -10 dB pad, and a low-frequency roll-off. The pad can help with an extremely loud live stage. The roll-off can tame an excessive proximity effect (low-voice, aggressively eating the mic).

I can now add to the list of great microphones for the {{L1}} the Sennheiser e 965. It displaced the Audix VX-5 for number two spot, immediately below the Neumann KMS 105.

The Sennheiser e 965 is an extremely flattering vocal microphone, and it performs just like you would expect a high-quality condenser microphone to sound. It has two polar patterns (Supercardioid/Cardioid), a -10 dB pad, and a low-frequency roll-off. The pad can help with an extremely loud live stage. The roll-off can tame an excessive proximity effect (low-voice, aggressively eating the mic).

The Sennheiser MD 445 has the best performance for gain before feedback, beating everything else on this page, with a high-end clarity and presence close to the top condenser microphones. The Sennheiser MD 435 sounds just as good in a different way, and it is more forgiving for vocalists who stray away from the microphone.

The Sennheisers MD 445 and MD 435 perform exceptionally well with the {{S1 Pro}}.

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 July 2021
-I can now add to the list of great microphones for the {{L1}} the Sennheiser e 965. It is an extremely flattering vocal microphone, and it performs just like you would expect a high-quality condenser microphone to sound. It has two polar patterns (Supercardioid/Cardioid), a -10 dB pad, and a low-frequency roll-off. The pad can help with an extremely loud live stage. The roll-off can tame an excessive proximity effect (low-voice, aggressively eating the mic).
+I can now add to the list of great microphones for the {{L1}} the Sennheiser e 965. It displaced the Audix VX-5 for number two spot, immediately below the Neumann KMS 105.
+The Sennheiser e 965 is an extremely flattering vocal microphone, and it performs just like you would expect a high-quality condenser microphone to sound. It has two polar patterns (Supercardioid/Cardioid), a -10 dB pad, and a low-frequency roll-off. The pad can help with an extremely loud live stage. The roll-off can tame an excessive proximity effect (low-voice, aggressively eating the mic).
 The Sennheiser MD 445 has the best performance for gain before feedback, beating everything else on this page, with a high-end clarity and presence close to the top condenser microphones. The Sennheiser MD 435 sounds just as good in a different way, and it is more forgiving for vocalists who stray away from the microphone.
+The Sennheisers MD 445 and MD 435 perform exceptionally well with the {{S1 Pro}}.