Bose L1 Pro for Singer/Songwriter/Electric Guitarist: Difference between revisions
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[[File:L1 Pro32 100x227.jpg|right]]I am writing as a singer/songwriter-electric guitarist playing solo and in bands. My views on the new L1 Pro line are different when considering other applications. Spoiler alert: I chose the L1 Pro32 with Sub1. The rest of this article is about why. | [[File:L1 Pro32 100x227.jpg|right]]I am writing as a singer/songwriter-electric guitarist playing solo and in bands. My views on the new L1 Pro line are different when considering other applications. Spoiler alert: I chose the L1 Pro32 with Sub1. The rest of this article is about why. | ||
Given that any L1 model will sound great with 180-degree horizontal dispersion, my major considerations are '''portability''', '''coverage''', and '''stage volume'''. For portability, I'm concerned about the size and weight of the heaviest component. For '''coverage''', I am thinking about vertical dispersion. The concern is if the audience will be above or below the stage area. For stage volume, I want to reach the greatest number of people, while performing with the L1 behind me. For that to work, the stage volume must be reasonable. Longer arrays do this best. | Given that any L1 model will sound great with 180-degree horizontal dispersion, my major considerations are '''portability''', '''coverage''', and '''stage volume vs. projection'''. For portability, I'm concerned about the size and weight of the heaviest component. For '''coverage''', I am thinking about vertical dispersion. The concern is if the audience will be above or below the stage area. For '''stage volume and projection''', I want to reach the greatest number of people, while performing with the L1 behind me. For that to work, the stage volume must be reasonable. Longer arrays do this best. | ||
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