T1 ToneMatch® Audio Engine / Daisy Chain: Difference between revisions
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[[Image:T1x2IntoModelIIa.gif]] | [[Image:T1x2IntoModelIIa.gif]] | ||
In this example we have two {{T1}}s. (T1®s) | In this example, we have two {{T1}}s. (T1®s) | ||
#{{t1r}} on the left connected to the {{Model II}} through the [[ToneMatch® Port]] | #{{t1r}} on the left connected to the {{Model II}} through the [[ToneMatch® Port]] | ||
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4 | #{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4 | ||
Use a balanced (Tip-Ring-Sleeve) cable if possible. | |||
[[File:T4S to F1 Model 812 TRS x 2.jpg|300px]] | |||
If you use an unbalanced cable (Tip-Sleeve) between the first and second {{T1}}, you will have a lower signal to noise ratio than using a balanced cable (Tip-Ring-Sleeve). This means you will have more noise, and because you will have to turn up the volume on the second {{T1}} you will be amplifying the noise. | |||
This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2 | This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2 | ||
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[[Image:T1 Daisy Chain to Compact.png]] | [[Image:T1 Daisy Chain to Compact.png]] | ||
In this example we have two {{T1}}s. (T1®s) | In this example, we have two {{T1}}s. (T1®s) | ||
#{{t1r}} on the left connected to [[L1%C2%AE_Compact#Channel_2|Compact Channel 2]] | #{{t1r}} on the left connected to [[L1%C2%AE_Compact#Channel_2|Compact Channel 2]] | ||