LR Baggs Session DI to ToneMatch Mixer T1/T4S/T8S: Difference between revisions

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 ===LR Baggs Session DI Settings===
-*    Follow the instructions for setting the GAIN control
+#    Follow the instructions for setting the GAIN control
 :B. Gain Setting
 ::The gain is one of the most important keys to achieving optimum sound quality and signal-to-noise ratio. If you have a volume control on your guitar, make sure it is turned all the way up before setting the gain. Begin with the gain control in the counter-clockwise position. Turn the control clockwise as you strum the guitar until the VU meter flashes red slightly at your loudest playing level. If red flashes too frequently, the input is clipping and you may experience unwanted distortion. Best results are achieved when the yellow flashes consistently.
-*Follow the instructions for setting the other controls on the LR Baggs Session DI
+#Follow the instructions for setting the other controls on the LR Baggs Session DI
 ===T4S/T8S or T1 ToneMatch Mixer===
-<ul>
+#    Before making any connections, turn down the Master Output
-<li>Before making any connections, turn down the Master Output</li><li>If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power</li><li>Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4</li><li>Set the channel's Trim Control <ul><li>Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim</li></ul></li><li>Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI</li>
+#    If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power
-<li>Set the ToneMatch Preset to<br>Category: Acoustic Guitars<br>Preset: Flat, A. Guitar zEQ</p></li><li>Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can</li>
+#    Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4
-<li>Turn up the Channel and Master Volume controls so you can hear the guitar</li><li>Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them. Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect</li>
+#    Set the channel's Trim Control
+#*        Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim
+#    Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI
+#    Set the ToneMatch Preset to
+#*    Category: Acoustic Guitars
+#*    Preset: Flat, A. Guitar zEQ
+#    Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can
+#    Turn up the Channel and Master Volume controls so you can hear the guitar
+#    Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them.
+#*Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect
+<!--
+*Before making any connections, turn down the Master Output</li>
+<li>If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power</li><li>Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4</li><li>Set the channel's Trim Control <ul><li>Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim</li></ul></li><li>Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI</li>
+*Set the ToneMatch Preset to<br>Category: Acoustic Guitars<br>Preset: Flat, A. Guitar zEQ</p></li>
+<li>Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can</li>
+*Turn up the Channel and Master Volume controls so you can hear the guitar</li>
+<li>Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them. Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect</li>
 </ul>
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