Template:S1 Pro Input Gain: Difference between revisions
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** Microphone-level signals | ** Microphone-level signals | ||
* 1/4 inch (6.3 mm) Balanced input (Tip-Ring-Sleeve): Balanced line-level signals | * 1/4 inch (6.3 mm) Balanced input (Tip-Ring-Sleeve): Balanced line-level signals | ||
** {{ToneMatch Mixers}} | ** {{ToneMatch Mixers}} or {{T1}} | ||
** Third-party | ** Third-party mixer line-level output | ||
** [[S1 Pro Daisy Chain Settings|Another S1 Pro Line Output when daisy chaining S1 Pro systems]] | ** [[S1 Pro Daisy Chain Settings|Another S1 Pro Line Output when daisy chaining S1 Pro systems]] | ||
* 1/4 inch (6.3 mm) Unbalanced input (Tip-Sleeve): Instruments | * 1/4 inch (6.3 mm) Unbalanced input (Tip-Sleeve): Instruments | ||
Revision as of 11:38, 28 January 2020
- Channels 1 and 2
- XLR: -infinity to + 49 dB
- 1/4 inch (6.3 mm) Balanced input (Tip-Ring-Sleeve): -infinity + 42 dB
- 1/4 inch (6.3 mm) Unbalanced input (Tip-Sleeve): -infinity + 36 dB
- Aux
- 1/8 inch (3.1 mm) Sterero (Tip-Ring-Sleeve): -infinity to + 17 dB
- Recommended Connections
- XLR:
- Microphones
- Microphone-level signals
- 1/4 inch (6.3 mm) Balanced input (Tip-Ring-Sleeve): Balanced line-level signals
- T4S/T8S ToneMatch® Mixers or T1 ToneMatch Audio Engine
- Third-party mixer line-level output
- Another S1 Pro Line Output when daisy chaining S1 Pro systems
- 1/4 inch (6.3 mm) Unbalanced input (Tip-Sleeve): Instruments
- Guitars
- Keyboards
- Guitar processors
Related: Balanced vs Unbalanced
Further Reading