T1 ToneMatch® Audio Engine / Daisy Chain: Difference between revisions
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[[Image:T1 Daisy Chain to Compact.png]] | [[Image:T1 Daisy Chain to Compact.png]] | ||
In this example we have two {{T1}}s. (T1®s) | |||
#{{t1r}} on the left connected to the {{Compact}} through the [[ToneMatch® Port]] | |||
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4 | |||
This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2 | |||
<br> | |||
Notes:<br> | |||
*{{t1r}} #1 and #2 will require a [[T1 ToneMatch® Audio Engine power supply]] | |||
*It would be possible to have a third {{t1r}} connected to {{t1r}} #1 Channel 5 | |||
*Related discussion in the message board [http://bose.infopop.cc/eve/forums/a/tpc/f/8146026354/m/4711091695 T1® Daisy Chain]<br> | |||
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Connect the second T1® to Compact Channel 2 | |||
So... | |||
first T1® | |||
1 - microphone | |||
2 - guitar | |||
4 - output from second T1® (Preset Utility Flat) | |||
Master Output goes to Compact Channel 2 | |||
second T1® | |||
1 - microphone | |||
2 - guitar | |||
Master Output of second T1® goes to first T1® Channel 4 | |||
This way each performer can have his/her own T1® and control his/her own mix. | |||
The first T1® controls the overall volume. | |||
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