Two T1® s with Two Model II Systems: Difference between revisions

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Allow better monitoring for performers so they can hear the performers on the other side of the stage.

~~Using Aux allows~~ you to ~~create~~ a separate mix ~~to be sent to the opposite side of the stage~~.

Simpler setup on the {{t1 nl}} because you don't have to set up a separate mix as you would using Aux (above).

The ~~Aux volume outputs from each channel can be controlled at~~ the ~~T1®~~

The Master Output is the same as the mix being sent through the ToneMatch port so it includes all effects including reverb.

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[[Multiple Source Interference]] - hollow or ringy sounding vocals, uneven distribution of the bass.

T1® Master Output is the same as the ToneMatch Port output - You will need to use the Model II Power Stand Analog Input Trim to control the volume across the stage.

If you use reverb and have it coming out of both sides of the stage, this can further decreased gain before feedback (greater likelihood of feedback).

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@@ Line 81: / Line 81: @@
 Allow better monitoring for performers so they can hear the performers on the other side of the stage.
-Using Aux allows you to create a separate mix to be sent to the opposite side of the stage.
+Simpler setup on the {{t1 nl}} because you don't have to set up a separate mix as you would using Aux (above).
-The Aux volume outputs from each channel can be controlled at the T1®
+The Master Output is the same as the mix being sent through the ToneMatch port so it includes all effects including reverb.
@@ Line 91: / Line 91: @@
 [[Multiple Source Interference]] - hollow or ringy sounding vocals, uneven distribution of the bass.
 T1® Master Output is the same as the ToneMatch Port output - You will need to use the Model II Power Stand  Analog Input Trim to control the volume across the stage.
+If you use reverb and have it coming out of both sides of the stage, this can further decreased gain before feedback (greater likelihood of feedback).
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