Two T1® s with Two Model II Systems: Difference between revisions
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[[Multiple Source Interference]] - hollow or ringy sounding vocals, uneven distribution of the bass. | [[Multiple Source Interference]] - hollow or ringy sounding vocals, uneven distribution of the bass. | ||
[[T1 ToneMatch® Audio Engine Aux Output]] - not difficult to set up, but inconvenient to manage during a live show. | [[T1 ToneMatch® Audio Engine / Aux|T1 Aux Output]] - not difficult to set up, but inconvenient to manage during a live show. | ||
[[No Reverb on Aux]] - the Aux output does NOT include Reverb effect. | [[T1_ToneMatch®_Audio_Engine_/_Aux#No_Reverb_on_Aux|No Reverb on Aux]] - the Aux output does NOT include Reverb effect. | ||
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Allow better monitoring for performers so they can hear the performers on the other side of the stage. | |||
Using Aux allows you to create a separate mix to be sent to the opposite side of the stage. | |||
The Aux volume outputs from each channel can be controlled at the T1® | |||
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Revision as of 09:22, 15 March 2013
Standard Setup with Two Model II Systems
If you have two systems made of one Model II with T1® and a B1 or B2 bass module then set up like this.
| Pro | Con |
|---|---|
|
This is the ideal, the way the L1® System was designed to be used. This allows you to give each performer control over his/her own sound. The audience experiences the Cocktail Party Effect |
It may be a challenge to get enough distance between the microphones and the L1®s |
Shallow Stage Monitoring Issue
| Pro | Con |
|---|---|
|
Pushing the L1® out to the sides beside the performers allows more room for the performers on the stage. |
Performers at the edges of the stage may have trouble hearing people on the opposite side of the stage. |
Aux Output to Opposite Model II
If you MUST do this, then for best results there should be at least 20 feet (6 meters) between the L1®s.
| Pro | Con |
|---|---|
|
Allow better monitoring for performers so they can hear the performers on the other side of the stage. Using Aux allows you to create a separate mix to be sent to the opposite side of the stage. The Aux volume outputs from each channel can be controlled at the T1® |
Decreased gain before feedback (greater likelihood of feedback). More microphones per system, and each microphone is heard through two systems Multiple Source Interference - hollow or ringy sounding vocals, uneven distribution of the bass. T1 Aux Output - not difficult to set up, but inconvenient to manage during a live show. No Reverb on Aux - the Aux output does NOT include Reverb effect. |
Analog Master Output to Opposite Model II
If you MUST do this, then for best results there should be at least 20 feet (6 meters) between the L1®s.
| Pro | Con |
|---|---|
|
Allow better monitoring for performers so they can hear the performers on the other side of the stage. Using Aux allows you to create a separate mix to be sent to the opposite side of the stage. The Aux volume outputs from each channel can be controlled at the T1®
|
Decreased gain before feedback (greater likelihood of feedback). More microphones per system, and each microphone is heard through two systems Multiple Source Interference - hollow or ringy sounding vocals, uneven distribution of the bass. T1® Master Output is the same as the ToneMatch Port output - You will need to use the Model II Power Stand Analog Input Trim to control the volume across the stage. |