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| == Outputs == | | == Outputs == |
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| === XLR Balanced +4 === | | === ¼ Inch with suitable output=== |
| | for PS1 Powerstand Channel 1 or 2 inputs |
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| {{TooHotForPS1}} | | {{RunTROrTRSUnbalanced}} |
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| === Notes From the {{{Specific Model|ZED-12FX}}} User Guide ===
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| '''Matching the Console to Destination Equipment '''
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| This is an excerpt from page 23 of the [http://www.allen-heath.com/DL/w3ug_122-162_ap5331_3.pdf Allan-Heath Manual for the Wizard 3 Series Mixers]
| | === XLR Balanced +4 === |
| ''The console produces a standard XLR output level of +4dBu for a meter reading of ‘0’. It can produce a maximum of +26dBu which is more than is usually required and therefore gives you plenty of headroom. If you are connecting to a sensitive power amplifier it is advisable to turn down its input trim control if the normal console level is too high. Simply turning down the console output faders degrades the output stage noise performance and reduces the resolution of the fader movement. The output faders are best operated around ‘-10’ to ‘0’ for loudest average volume required. This allows additional headroom if you need it.''
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| The {{PS1}} XLR inputs are designed for microphone level inputs so the +4 dBu output from this mixer is too high for optimal operation - even with the trims levels set to 0. For best results use a [[Pad]] to more closely match the output of the Allen Heath mixer with the inputs of the {{PS1}}
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| === ¼ Inch with suitable output===
| | {{TooHotForPS1}} |
| for PS1 Powerstand Channel 1 or 2 inputs
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| {{RunTROrTRSUnbalanced}}
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| | The {{PS1}} XLR inputs are designed for microphone level inputs so the +0 dBu output from this mixer is too high for optimal operation - even with the trims levels set to 0. For best results use a [[Pad]] to more closely match the output of the Allen Heath mixer with the inputs of the {{PS1}} |
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| Links: | | Links: |