Introducing Performers to the Bose System: Difference between revisions
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To be prepared for people who just want to walk in and play the old way... Have a conventional mixer wired up with mains out running to your two** systems (channels 3/4). You might want to do this for line-level instruments anyway. | To be prepared for people who just want to walk in and play the old way... Have a conventional mixer wired up with mains out running to your two** systems (channels 3/4). You might want to do this for line-level instruments anyway. | ||
That's your backup plan. BUT | That's your backup plan. BUT | ||
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This is what I do with open stage situations with guest artists. It sounds like it would take awhile, but really we're talking just a couple of minutes. | This is what I do with open stage situations with guest artists. It sounds like it would take awhile, but really we're talking just a couple of minutes. | ||
I | === Set up for each performer === | ||
* | ==== {{Model I}} / {{Classics}} ==== | ||
* | * I have a system for each performer so I typically wire things up | ||
** Channel 1: Vocal Microphone | |||
** Channel 2: Instrument | |||
* Remotes wired and attached to the mic stands | * Remotes wired and attached to the mic stands | ||
==== {{T1}} ==== | |||
* I have a system for each performer so I typically wire things up | |||
** Channel 1: Vocal Microphone | |||
** Channel 2: Instrument | |||
* If it is a loud stage then I will set up a [[Feedback_/_Microphone#Use_the_T1.C2.AE_Comp_Gate_to_mute_the_microphone|Noise Gate]] on the vocal microphone | |||
* I put the {{T1}} on the microphone stand using the [[T1 ToneMatch® Audio Engine Microphone Stand Bracket]] | |||
=== Avoiding Feedback === | |||
See: [[Feedback / Microphone|Microphone Feedback]] | |||
=== Soundcheck === | === Soundcheck === | ||