Compact Channel 1 Noise: Difference between revisions

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Response from Craig-at-Bose

First and most importantly, please make sure that you have a microphone connected when you turn up the Channel 1 Volume control. As other members of the community pointed out, when the Channel 1 ~~volume~~ control is set to 12:00 o'clock the system is extremely loud. Below are some additional details as well as guidelines for adjusting your levels. Please read through my post and let me know if you have any further questions.

First and most importantly, please make sure that you have a microphone connected when you turn up the Channel 1 Volume control. As other members of the community pointed out, when the Channel 1 Volume control is set to 12:00 o'clock the system is extremely loud. Below are some additional details as well as guidelines for adjusting your levels. Please read through my post and let me know if you have any further questions.

We’ve designed the {{Compact}} with the goal of providing a simple user interface for both musicians and general purpose users. You will notice there is volume control for each ~~channel~~ but no overall ~~master~~ volume. This means that the power amp section is always at full gain. In this configuration the Channel  and Channel 2 volume controls are effectively acting as trim controls. The benefit of a trim control is that you don’t need to significant gain in order to drive the {{Compact}} to full output.

We’ve designed the {{Compact}} with the goal of providing a simple user interface for both musicians and general purpose users. You will notice there is volume control for each Channel but no overall Master volume. This means that the power amp section is always at full gain. In this configuration the Channel  and Channel 2 volume controls are effectively acting as trim controls. The benefit of a trim control is that you don’t need to significant gain in order to drive the {{Compact}} to full output.

The {{Compact}} microphone channel is designed to work with a wide range of hand held microphones from popular microphones like a Shure Beta 58A all the way to lower sensitivity microphones like the Sennheiser e8155. As you may know sensitivity can vary between microphones so we’ve elected to include a higher amount of gain on the microphone channel.

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 Response from Craig-at-Bose
-First and most importantly, please make sure that you have a microphone connected when you turn up the Channel&nbsp;1 Volume control. As other members of the community pointed out, when the Channel&nbsp;1 volume control is set to 12:00 o'clock the system is extremely loud. Below are some additional details as well as guidelines for adjusting your levels. Please read through my post and let me know if you have any further questions.
+First and most importantly, please make sure that you have a microphone connected when you turn up the Channel&nbsp;1 Volume control. As other members of the community pointed out, when the Channel&nbsp;1 Volume control is set to 12:00 o'clock the system is extremely loud. Below are some additional details as well as guidelines for adjusting your levels. Please read through my post and let me know if you have any further questions.
-We’ve designed the {{Compact}} with the goal of providing a simple user interface for both musicians and general purpose users. You will notice there is volume control for each channel but no overall master volume. This means that the power amp section is always at full gain. In this configuration the Channel&nbsp; and Channel&nbsp;2 volume controls are effectively acting as trim controls. The benefit of a trim control is that you don’t need to significant gain in order to drive the {{Compact}} to full output.
+We’ve designed the {{Compact}} with the goal of providing a simple user interface for both musicians and general purpose users. You will notice there is volume control for each Channel but no overall Master volume. This means that the power amp section is always at full gain. In this configuration the Channel&nbsp; and Channel&nbsp;2 volume controls are effectively acting as trim controls. The benefit of a trim control is that you don’t need to significant gain in order to drive the {{Compact}} to full output.
 The {{Compact}} microphone channel is designed to work with a wide range of hand held microphones from popular microphones like a Shure Beta 58A all the way to lower sensitivity microphones like the Sennheiser e8155. As you may know sensitivity can vary between microphones so we’ve elected to include a higher amount of gain on the microphone channel.