Pad: Difference between revisions

m Padding {{PS1}} Inputs: added more detail about sources with mic/line level outputs
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Pads can also help when connecting the PS1 Line Outs to ''semi-pro'' or ''consumer'' recording devices. If the PS1 Line Outs are too ''hot'' for the recorder's inputs, a pad can be used to prevent overdriving those inputs into (clipping) distortion.  
Pads can also help when connecting the PS1 Line Outs to ''semi-pro'' or ''consumer'' recording devices. If the PS1 Line Outs are too ''hot'' for the recorder's inputs, a pad can be used to prevent overdriving those inputs into (clipping) distortion.  


A -20dB pad is also a good choice when connecting the PS1 Line Outs to a house PA, or other off-stage system. This would ensure that the house mixing console's inputs can handle the signal level without being overdriven into distortion, especially if the house console has insufficient built-in pads, or none at all. (Beware of the potential for Ground Loops here.)  
==== Signal Source that has a Pad ====
Check your source device (mixer or DJ mixer) to see if there is an attenuation switch. This may be marked Line/Mic or show -10dB or similar markings. If you have a switch like this, try it. It may give you the same benefits of using a pad.
 
=== Pad with {{PS1}} Line Outs ===
A -20dB pad is also a good choice when connecting the PS1 Line Outs to a house PA, or other off-stage system. This would ensure that the house mixing console's inputs can handle the signal level without being overdriven into distortion, especially if the house console has insufficient built-in pads, or none at all. (Beware of the potential for Ground Loops here.)


=== {{T1}} No Pads Required  ===
=== {{T1}} No Pads Required  ===