Feedback / Microphone: Difference between revisions
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Take two minutes to watch this video by clicking on the picture below. | Take two minutes to watch this video by clicking on the picture below. | ||
{{Get Plugged In Microphone}} | {{Get Plugged In Microphone}} | ||
* If you are using an {{Classic}} or {{Model I}} follow the instructions exactly as shown in the video. | * If you are using an {{Classic}} or {{Model I}} follow the instructions exactly as shown in the video. | ||
* If you are using the {{T1}}, the principles are the same as shown on the video: simply substitute the [[T1_ToneMatch%C2%AE_Audio_Engine#Set_Input_Trim|trim]] on the {{T1r}} for the trim on the Classic or Model I. {{T1 icon}} | * If you are using the {{T1}}, the principles are the same as shown on the video: simply substitute the [[T1_ToneMatch%C2%AE_Audio_Engine#Set_Input_Trim|trim]] on the {{T1r}} for the trim on the Classic or Model I. {{T1 icon}} | ||
If you are using effects, remove them from the signal chain until you can get sufficient [[Gain Before Feedback|gain before feedback]] to get performance level volume. Then add the effects back into the signal chain (one at a time) so you can be aware of the individual impacts that each effect is having on feedback. | If you are using effects, remove them from the signal chain until you can get sufficient [[Gain Before Feedback|gain before feedback]] to get performance level volume. Then add the effects back into the signal chain (one at a time) so you can be aware of the individual impacts that each effect is having on feedback. | ||
== Techniques For Reducing Feedback == | == Techniques For Reducing Feedback == | ||