T1 ToneMatch® Audio Engine: Difference between revisions

m added cross references to R1 Remote
m {{Remote}}
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* {{T1 nl}} going into {{Model I nl}}/{{Classic nl}} into Channel 3/4  
* {{T1 nl}} going into {{Model I nl}}/{{Classic nl}} into Channel 3/4  
* Balanced OR Unbalanced 1/4" cable  
* Balanced OR Unbalanced 1/4" cable  
* [[R1 Remote|Remote]] unplugged, OR, master volume on [[R1 Remote|Remote]] at 12 o clock  
* {{Remote}} unplugged, OR, master volume on {{Remote}} at 12 o clock  
* Proper gain staging required on the T1® itself
* Proper gain staging required on the T1® itself


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This will give you the same gain going into the {{Model I nl}}/{{Classic nl}} as if you were going through the [[ToneMatch® Cable|ToneMatch®]] input on a {{Model II}}.  
This will give you the same gain going into the {{Model I nl}}/{{Classic nl}} as if you were going through the [[ToneMatch® Cable|ToneMatch®]] input on a {{Model II}}.  


If you are using the remote on your {{Model I nl}}/{{Classic nl}}, then you will need to compensate a bit. If you running the remote master volume at max, then stick with '''2''' on Ch 3/4. I would recommend against running the master volume below 12 o'clock when using a T1®.  
If you are using the {{Remote}} on your {{Model I nl}}/{{Classic nl}}, then you will need to compensate a bit. If you running the {{Remote}} master volume at max, then stick with '''2''' on Ch 3/4. I would recommend against running the master volume below 12 o'clock when using a T1®.  
<section end=InputSettingNow3 />
<section end=InputSettingNow3 />