Share the Wealth Contest 2008: Difference between revisions
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== What's the big deal? == | == What's the big deal? == | ||
Share what you know about your L1® and how you use it and you could win the Grand | |||
Prize, a [http://www.bose.com/controller?event=VIEW_PRODUCT_PAGE_EVENT&product=t1_audio_engine T1 ToneMatch® audio engine] | |||
This contest closes on October <sup>15</sup>th, 2008, but there are going to be Early-Bird prizes | |||
weekly between now and then so you'll want to be participating along the way. The | weekly between now and then so you'll want to be participating along the way. The | ||
first Early-Bird draw will be Friday, September 12th 2008. | first Early-Bird draw will be Friday, September 12th 2008. | ||
A huge Thank You goes out to Bose for donating prizes. | A huge Thank You goes out to Bose for donating prizes. | ||
== What do I have to do? == | == What do I have to do? == | ||
Between now and October 15th 2008 – make a qualifying contribution to the | Between now and October 15th 2008 – make a qualifying contribution to the [[The Bose® L1® Encyclopedia FAQ & Wiki]] and your name will be | ||
entered in the draw for a prize. A contribution is something you have written that | entered in the draw for a prize. A contribution is something you have written that | ||
would be of interest to L1® owners or it could be a review of your favourite gear | would be of interest to L1® owners or it could be a review of your favourite gear | ||
that you use with your L1®. The connection, of course, is the L1®. | that you use with your L1®. The connection, of course, is the L1®. | ||
As long as your article is about something you do with or connect to an L1®, it | As long as your article is about something you do with or connect to an L1®, it | ||
is welcome. Here are some ideas to get you started.< | is welcome. Here are some ideas to get you started. | ||
* Noise (tracking down and solving buzzes, hums and hisses) | |||
* Headset Microphones (observations, recommendations, tips and tricks) | |||
* Setting the Stage | |||
** Working with tiny stages | |||
** Negotiating for space | |||
** Working with sub-optimal placement | |||
* Setting the Stage – Solo Artist (suggestions for using your L1® as a solo performer) | |||
* Setting the Stage – Duo | |||
* Setting the Stage – Ensemble | |||
* Business topics | |||
** Using the L1® to generate or increase your business</li> | |||
** Getting Gigs | |||
** Setting Rates | |||
** Getting Paid | |||
* Types of Gig<br>Write about something like home concerts, community support music in your area, anything non-traditional that could be duplicated in other parts of the country that support the Audience, the Musicians, the Community. | |||
* Out of the Box (suggestions for new owners) | |||
* Gear reviews <br />Pick your favourite instrument or other input to your L1®, tell us about what you like, don’t like, how you connect it, how you use it, why you got it and if you would do it again. Try this [[Review Template]] to get you started. | |||
* Ecosystem – articles about working with other parts of the society that revolve | |||
around your L1® | |||
** Working with other Musicians | |||
** Interaction with your Audience | |||
** Working with Venues | |||
* Audience reviews<br />Provide a written, audio or video review of your show from someone in your L1® audience. | |||
Those are just a few examples. If you have other ideas – go for it. | |||
== Fuzzy details... == | == Fuzzy details... == | ||
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