Presets 2.0: Difference between revisions - Bose Portable PA Knowledge

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3. We added new acoustic guitar presets, especially some nice Martins sent here for preset work from Nazareth PA. I personally love the pickup-fitted Backpack/Preset 45 combo. Small, inexpensive but big lovely sound. It’s like the sm57; listen with your ears, not with list price.

4. #57 is for prerecorded music at low level, for ~~DJ’s~~ and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno ~~calles~~ it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing a 85 dB or so.

4. #57 is for prerecorded music at low level, for DJs and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calls it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing at 85 dB or so.

5. New basses! My fave is 66, developed with Bass Monster Wolf Ginandes. Wolf brought in the antique collection, his SVT head and a 2x10 bottom he has used as a standard for years. We used this as a reference on our big stage. You don’t want to lift the head, by the way. I think we got just the right amount of “unh” in and “quack” out for classic Fender basses. The hi-z preamp in our system does not load down the pickup. 65 is also very cool but many love 66. 60 for acoustic basses with Fishman on the bridge is still a fave, read “classic”.

@@ Line 225: / Line 225: @@
 . We added new acoustic guitar presets, especially some nice Martins sent here for preset work from Nazareth PA. I personally love the pickup-fitted Backpack/Preset 45 combo. Small, inexpensive but big lovely sound. It’s like the sm57; listen with your ears, not with list price.
-. #57 is for prerecorded music at low level, for DJ’s and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calles it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing a 85 dB or so.
+. #57 is for prerecorded music at low level, for DJs and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calls it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing at 85 dB or so.
 . New basses! My fave is 66, developed with Bass Monster Wolf Ginandes. Wolf brought in the antique collection, his SVT head and a 2x10 bottom he has used as a standard for years. We used this as a reference on our big stage. You don’t want to lift the head, by the way. I think we got just the right amount of “unh” in and “quack” out for classic Fender basses. The hi-z preamp in our system does not load down the pickup. 65 is also very cool but many love 66. 60 for acoustic basses with Fishman on the bridge is still a fave, read “classic”.