Stereo Mini to 1/4: Difference between revisions

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and attach each coloured end to one of these, then connect to any of the ¼ inch inputs for Channels 1/2/3/4. If you are using the this kind of source as backing tracks, you will probably run these two connections to Channels 3 and 4. In this case you will need to control volume and tone control from the sound source. You will not have much control through the {{L1}}.

and attach each coloured end to one of these, then connect to any of the ¼ inch inputs for {{Model I}} or {{Classsic}} Channels 1/2/3/4. If you are using a {{T1}} then you can use Channels 1,2,3 or 4/5.

If you are using the this kind of source as backing tracks, you will probably run these two connections to {{Model I}} or {{Classsic}} Channels 3 and 4. In this case you will need to control volume and tone control from the sound source. You will not have much control through the {{L1}}.

If you are using a {{T1}} you will probably use Channel 4/5.

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If you prefer not to use two Channels you can use this (occasionally controversial approach of summing to mono without electronics to support it). This approach let's you merge both Stereo outputs to a single output. You can run this to Channel 2 and control it with the {{R1}}. The controversy arises because you are connecting two outputs together. See [http://www.rane.com/note109.html Why NOt Wye].

(With at {{T1}} Channel 4/5 makes it easy to use two inputs and control them as a single channel 4/5. The follow note applies only to the {{Model I}} and {{Classic}}

Attach coloured ends to this:

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 <html><a href="http://www.radioshack.com/product/index.jsp?productId=2102974&amp;cp" target="_blank"><img src="http://bose.infopop.cc/eve/forums/a/ga/ul/7571019813/inlineimg/Y/pRS1C-2265310w345%5B1%5D.jpg">  </a></html>
-and attach each coloured end to one of these, then connect to any of the ¼ inch inputs for Channels 1/2/3/4. If you are using the this kind of source as backing tracks, you will probably run these two connections to Channels 3 and 4. In this case you will need to control volume and tone control from the sound source. You will not have much control through the {{L1}}.
+and attach each coloured end to one of these, then connect to any of the ¼ inch inputs for {{Model I}} or {{Classsic}} Channels 1/2/3/4. If you are using a {{T1}} then you can use Channels 1,2,3 or 4/5.
+If you are using the this kind of source as backing tracks, you will probably run these two connections to {{Model I}} or {{Classsic}}  Channels 3 and 4. In this case you will need to control volume and tone control from the sound source. You will not have much control through the {{L1}}.
+If you are using a {{T1}} you will probably use Channel 4/5.
 <html><a href="http://www.radioshack.com/product/index.jsp?productId=2103711" target="_blank"><img src="http://bose.infopop.cc/eve/forums/a/ga/ul/6181019813/inlineimg/Y/pRS1C-2266318w345%5B1%5D.jpg">   </a></html>
@@ Line 19: / Line 23: @@
 If you prefer not to use two Channels you can use this (occasionally controversial approach of summing to mono without electronics to support it).  This approach let's you merge both Stereo outputs to a single output. You can run this to Channel 2 and control it with the {{R1}}. The controversy arises because you are connecting two outputs together. See [http://www.rane.com/note109.html Why NOt Wye].
+(With at {{T1}} Channel 4/5 makes it easy to use two inputs and control them as a single channel 4/5. The follow note applies only to the {{Model I}} and {{Classic}}
 Attach coloured ends to this: