Electric Bass: Difference between revisions
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* If money is tight, purchasing an {{L1}} system (particularly an extended-bass system) solely to replace a conventional bass rig is not financially justifiable in my opinion. The incremental benefit provided by the {{L1}} does not warrant the added cost. However, if it<nowiki>’'</nowiki>s used to replace additional equipment as well, it is very cost-competitive. Systems should first be purchased for those who would benefit from them more: vocalists, guitarists and keyboard players. | * If money is tight, purchasing an {{L1}} system (particularly an extended-bass system) solely to replace a conventional bass rig is not financially justifiable in my opinion. The incremental benefit provided by the {{L1}} does not warrant the added cost. However, if it<nowiki>’'</nowiki>s used to replace additional equipment as well, it is very cost-competitive. Systems should first be purchased for those who would benefit from them more: vocalists, guitarists and keyboard players. | ||
* If band resources limit the number of {{L1}}s available, continuing to use a conventional bass amp can give excellent results, especially if combined with an {{L1}} to create a hybrid system. | * If band resources limit the number of {{L1}}s available, continuing to use a conventional bass amp can give excellent results, especially if combined with an {{L1}} to create a hybrid system. | ||
* | * An {{L1}} system can and does make a viable replacement for a conventional bass rig and offers the following benefits: | ||
* -Multiple use as a vocal monitor/PA replacement | * -Multiple use as a vocal monitor/PA replacement | ||
* -Reduced weight and bulk | * -Reduced weight and bulk | ||
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* {{L1}} tone that is directly comparable to a high-quality conventional rig can be realized through the use of preamps or amp modelers. | * {{L1}} tone that is directly comparable to a high-quality conventional rig can be realized through the use of preamps or amp modelers. | ||
* The "lack of thump" concern is in my opinion a red herring. The {{L1}} produces a full, rich, musical, pleasing bass tone without having to push a huge amount of air. | * The "lack of thump" concern is in my opinion a red herring. The {{L1}} produces a full, rich, musical, pleasing bass tone without having to push a huge amount of air. | ||
* The extra presence and punch provided by additional {{B1}}s and the {{A1}} is well worth the cost | * The extra presence and punch provided by additional {{B1}}s and the {{A1}} is well worth the cost if the system is also used to amplify drums or if the music calls for it. | ||
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* Studio Tone 4x10, Silvercone 4x10 or Green 25 4x12 cabinet models, depending on venue | * Studio Tone 4x10, Silvercone 4x10 or Green 25 4x12 cabinet models, depending on venue | ||
* Tube mic, close, 20-30% room setting | * Tube mic, close, 20-30% room setting | ||
or | |||
* Full extended-bass Bose {{L1}} system (L1, {{A1}}, four {{B1}}s) | |||
* Damage Control Womanizer tube distortion pedal | |||
* Ampeg SVT-DI tube direct box | |||
'''Basses:''' | '''Basses:''' | ||
* Original bass in use at time of {{L1}} purchase, Carvin LB75A modified with Bartolini pickups and an Aguilar preamp | * Original bass in use at time of {{L1}} purchase, Carvin LB75A modified with Bartolini pickups and an Aguilar preamp | ||
* Current | * Current basses, MusicMan Bongo 5 HH w/piezo, fretless MusicMan Bongo 5H w/piezo | ||
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