Template:Microphone Polar Pattern: Difference between revisions
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For live sound applications with Bose systems, in preferred order, use: | For live sound applications with Bose systems, in preferred order, use: | ||
# Hypercardioid or Supercardioid | # Hypercardioid or Supercardioid | ||
#* Audix OM 5, OM 3b, OM 6, OM 7, VX 5 | |||
#* EV N/D 767A | |||
#* Neumann KMS 105 | |||
#* Sennheiser e 845, e 865, e 945, e 965, MD 441, MD 945, | |||
#* Shure Beta 58A, Beta 87A | |||
# Cardioid | # Cardioid | ||
#* Sennheiser e 835, e 935, MD 935 | |||
#* Shure SM 58, SM 57, Beta 87C | |||
# Omnidirectional | # Omnidirectional | ||
#* Not recommended for live sound applications | |||
<big>Reference Reading</big> | <big>Reference Reading</big> | ||
<div>There are two basic types of microphone — omnidirectional and unidirectional<ref>[http://www.shurenotes.com/issue14/article.asp Microphone Techniques - Shure Notes]</ref></div>. | <div>There are two basic types of microphone — omnidirectional and unidirectional<ref>[http://www.shurenotes.com/issue14/article.asp Microphone Techniques - Shure Notes]</ref></div>. | ||