Connecting Gear: Difference between revisions
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== Summary == | == Summary == | ||
A short explanation of what “connecting gear” means and why it matters. | |||
=== Core Principle of Signal Flow=== | |||
This article will discuss signal flow, cables and device names in this order: | |||
;Source to Destination
examples:
| |||
* Microphone to Mixer to Loudspeaker
| |||
* Guitar to Guitar Modeler to Mixer to Loudspeaker
| |||
TODO A short explanation of what “connecting gear” means and why it matters. | |||
== Principles == | == Principles == | ||
Revision as of 16:17, 31 March 2026
Summary
Core Principle of Signal Flow
This article will discuss signal flow, cables and device names in this order:
- Source to Destination examples
- Microphone to Mixer to Loudspeaker
- Guitar to Guitar Modeler to Mixer to Loudspeaker
TODO A short explanation of what “connecting gear” means and why it matters.
Principles
Bose Systems General Information
- Combo inputs
- ¼″ (6.3 mm) Tip‑Ring‑Sleeve
- ¼″ (6.3 mm) Tip‑Sleeve
- XLR
- Line level vs mic level
- Inputs vs outputs
- When to use ToneMatch
- When to use a mixer
Troubleshooting
- No sound
- Distortion
- Hum or buzz
- Feedback
- Wrong cable type
Principles of connecting mixers, instruments, microphones, and external devices.
Common Scenarios
L1® Model II with Mixer to Analog Input
L1 Model I with Mixer to Analog Input
Mixer to L1 Model I or L1 Model II
Mixer to Share Presets on S1 Pro
ToneMatch to Third Party Devices
T8S ToneMatch Mixer to T8S ToneMatch Mixer
T8S ToneMatch Mixer Aux Output to S1 Pro