Connecting Gear: Difference between revisions
Jump to navigation
Jump to search
mNo edit summary |
|||
| Line 3: | Line 3: | ||
== Principles == | == Principles == | ||
[[Balanced vs Unbalanced]] | |||
[[L1 Inputs General Information|Bose Systems General Information]] | |||
* Combo inputs | |||
* {{14TRS}} | |||
* {{14TS}} | |||
* XLR | |||
* Line level vs mic level | * Line level vs mic level | ||
* Inputs vs outputs | * Inputs vs outputs | ||
[[Gain Staging]] | |||
[[Ground Loop]] | |||
[[Line Noise]] | |||
* When to use ToneMatch | * When to use ToneMatch | ||
* When to use a mixer | * When to use a mixer | ||
Revision as of 16:01, 31 March 2026
Summary
A short explanation of what “connecting gear” means and why it matters.
Principles
Bose Systems General Information
- Combo inputs
- ¼″ (6.3 mm) Tip‑Ring‑Sleeve
- ¼″ (6.3 mm) Tip‑Sleeve
- XLR
- Line level vs mic level
- Inputs vs outputs
- When to use ToneMatch
- When to use a mixer
Troubleshooting
- No sound
- Distortion
- Hum or buzz
- Feedback
- Wrong cable type
Principles of connecting mixers, instruments, microphones, and external devices.
Common Scenarios
L1® Model II with Mixer to Analog Input
L1 Model I with Mixer to Analog Input
Mixer to L1 Model I or L1 Model II
Mixer to Share Presets on S1 Pro
ToneMatch to Third Party Devices
T8S ToneMatch Mixer to T8S ToneMatch Mixer
T8S ToneMatch Mixer Aux Output to S1 Pro