Template:Two L1 Pro8 or One L1 Pro16: Difference between revisions

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==== Two L1 Pro8====

Reasons to choose two L1 Pro8 over a single L1 Pro16:

* Stereo. If you are running prerecorded music in stereo (e.g., backing tracks), you need two systems to play stereo

* For two performers: Run the systems independently, with each performer heard through only one L1 Pro.

** You and your audience get the benefits of the [[Cocktail Party Effect]]

* Two or more performers. Use two systems to split the vocal microphones and increase your gain before feedback. Here's why:

** For every doubling of the number of microphones heard through one loudspeaker, you lower your gain before feedback by up to -3 dB

:{{FAQItem

** For every doubling of the number of loudspeakers connected to a microphone, you lower your gain before feedback by up to -3 dB

| question = Why is it better to split microphones over two or more L1 Pro systems

** If you run two microphones into two loudspeakers ([[Dual Mono|dual mono]]), you are doing both of the above

| answer =

** If you split the microphones so each microphone is heard through only one loudspeaker, you increase your gain before feedback compared to running all the microphones through one or more loudspeakers

* For every doubling of the number of microphones heard through one loudspeaker, you lower your gain before feedback by up to -3 dB

* Stereo. If you are running prerecorded music in stereo (e.g., backing tracks), you need two systems to play stereo

* For every doubling of the number of loudspeakers connected to a microphone, you lower your gain before feedback by up to -3 dB

* If you run two microphones into two loudspeakers ([[Dual Mono|dual mono]]), you are doing both of the above

* If you split the microphones so each microphone is heard through only one loudspeaker, you increase your gain before feedback compared to running all the microphones through one or more loudspeakers

}}

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[[Category:L1 Pro]]

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 ==== Two L1 Pro8====
 Reasons to choose two L1 Pro8 over a single L1 Pro16:
+* Stereo. If you are running prerecorded music in stereo (e.g., backing tracks), you need two systems to play stereo
 * For two performers: Run the systems independently, with each performer heard through only one L1 Pro.
 ** You and your audience get the benefits of the [[Cocktail Party Effect]]
 * Two or more performers. Use two systems to split the vocal microphones and increase your gain before feedback. Here's why:
-** For every doubling of the number of microphones heard through one loudspeaker, you lower your gain before feedback by up to  -3 dB
+:{{FAQItem
-** For every doubling of the number of loudspeakers connected to a microphone, you lower your gain before feedback by up to -3 dB
+| question = Why is it better to split microphones over two or more L1 Pro systems
-** If you run two microphones into two loudspeakers ([[Dual Mono|dual mono]]), you are doing both of the above
+| answer =
-** If you split the microphones so each microphone is heard through only one loudspeaker, you increase your gain before feedback compared to running all the microphones through one or more loudspeakers
+* For every doubling of the number of microphones heard through one loudspeaker, you lower your gain before feedback by up to  -3 dB
-* Stereo. If you are running prerecorded music in stereo (e.g., backing tracks), you need two systems to play stereo
+* For every doubling of the number of loudspeakers connected to a microphone, you lower your gain before feedback by up to -3 dB
+* If you run two microphones into two loudspeakers ([[Dual Mono|dual mono]]), you are doing both of the above
+* If you split the microphones so each microphone is heard through only one loudspeaker, you increase your gain before feedback compared to running all the microphones through one or more loudspeakers
+}}
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 [[Category:L1 Pro]]