Sennheiser MD 441: Difference between revisions

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The {{PAGENAME}} is an outstanding microphone for noisy stages and easily stands in for the [[Sennheiser MD 445]] when I need to cut through the mix and get maximum gain before feedback. It's an odd nod to nostalgia and showmanship.  
The {{PAGENAME}} is an outstanding microphone for noisy stages and easily stands in for the [[Sennheiser MD 445]] when I need to cut through the mix and get maximum gain before feedback. It's an odd nod to nostalgia and showmanship.  


The {{PAGENAME}} has not displaced the [[Sennheiser MD 445]] that I can toss into a gig bag. I might be more discerning about where I'd use the MD 441.  [[Neumann KMS 105]] which is still my go to microphone for solo shows or quiet concerts. But when I need to be heard in a loud band setting and want to make a visual statement too, I'll set up the {{PAGENAME}}.  
The {{PAGENAME}} has not displaced the [[Sennheiser MD 445]] that I can toss into a gig bag. I might be more discerning about where I'd use the MD 441.  When I need to be heard in a loud band setting and want to make a visual statement too, I'll set up the {{PAGENAME}}.  


As you should expect from a super cardioid microphone, you want to sing directly into it. However, if you read the instruction manual, there's a hint. When using the brilliance switch, sing over the microphone instead of directly into it.
As you should expect from a super cardioid microphone, you want to sing directly into it. However, if you read the instruction manual, there's a hint. When using the brilliance switch, sing over the microphone instead of directly into it.