Review / Microphone / Various: Difference between revisions

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# Shure Beta 58a

The [[Sennheiser MD 445]] is my first choice. Sennheiser released this microphone in late 2020. It has an extremely tight supercardioid polar pattern. The [[Gain Before Feedback|gain before feedback]] sets it ahead of everything else on the list. It has a lift in the upper midrange and details in the highs that comes close to sounding like a good condenser microphone. This also helps me to project, compete, and be heard in a busy stage mix.

The [[Sennheiser MD 445]] is my first choice. Sennheiser released this microphone in late 2020. It has an extremely tight supercardioid polar pattern. The [[Gain Before Feedback|gain before feedback]] sets it ahead of everything else on the list. It has a lift in the upper midrange and details in the highs that comes close to sounding like a good condenser microphone. This also helps me to project, compete, and be heard in a busy stage mix. [[Sennheiser MD 445|Read more]]

The Sennheiser MD 435 is perhaps the only microphone with a cardioid polar pattern I would happily use with an {{L1}}. Like its sibling (MD 445), the MD 435 has a vocal flattering EQ, and the off-axis rejection is very good for a cardioid microphone. The sound is excellent, with less emphasis in the upper midrange compared to the MD 445. For a female vocalist, I would consider this instead of the MD 445.

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 # Shure Beta 58a
-The [[Sennheiser MD 445]] is my first choice. Sennheiser released this microphone in late 2020. It has an extremely tight supercardioid polar pattern. The [[Gain Before Feedback|gain before feedback]] sets it ahead of everything else on the list. It has a lift in the upper midrange and details in the highs that comes close to sounding like a good condenser microphone. This also helps me to project, compete, and be heard in a busy stage mix.
+The [[Sennheiser MD 445]] is my first choice. Sennheiser released this microphone in late 2020. It has an extremely tight supercardioid polar pattern. The [[Gain Before Feedback|gain before feedback]] sets it ahead of everything else on the list. It has a lift in the upper midrange and details in the highs that comes close to sounding like a good condenser microphone. This also helps me to project, compete, and be heard in a busy stage mix. [[Sennheiser MD 445|Read more]]
 The Sennheiser MD 435 is perhaps the only microphone with a cardioid polar pattern I would happily use with an {{L1}}. Like its sibling (MD 445), the MD 435 has a vocal flattering EQ, and the off-axis rejection is very good for a cardioid microphone. The sound is excellent, with less emphasis in the upper midrange compared to the MD 445. For a female vocalist, I would consider this instead of the MD 445.