Sennheiser MD 445: Difference between revisions
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|Press Release = [[Media:Sennheiser MD 445 PR.pdf|Sennheiser MD 445 Press Release]] | |Press Release = [[Media:Sennheiser MD 445 PR.pdf|Sennheiser MD 445 Press Release]] | ||
|Mic Image = [[File:Sennheiser MD 445.jpg|100px|right|link=https://en-us.sennheiser.com/md-445 Sennheiser]] | |Mic Image = [[File:Sennheiser MD 445.jpg|100px|right|link=https://en-us.sennheiser.com/md-445 Sennheiser]] | ||
|Special Features = [https://sennheiser.com/mm-445 Wireless Capsule Sennheiser MM 445] | |||
|Categories = | |Categories = | ||
[[Category:Sennheiser]] | [[Category:Sennheiser]] | ||
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;Editorial | |||
The Sennheiser MD 445 is my new favourite microphone for noisy stages where I need to cut through the mix and get maximum gain before feedback. This has not displaced the [[Neumann KMS 105]] which is still my go to microphone for solo shows or quiet concerts. But when I need to be heard in a loud band setting, the MD 445 stands out. | |||
I'm using it the [https://sennheiser.com/mm-445 Sennheiser MM 445 Wireless Capsule] with [https://sennheiser.com/ew-d Sennheiser Evolution Wireless Digital EW-D system] and it's indistinguishable from the wired MD 445. | |||
As you should expect from a super cardioid microphone, you want to sing directly into it. And when you do, you are well rewarded. It has a lift in the upper midrange and details in the highs that comes close to sounding like a good condenser microphone. This also helps me to project, compete, and be heard in a busy stage mix. | |||
ST | |||
==== Reviews ==== | ==== Reviews ==== | ||