Template:Two L1 Systems: Difference between revisions

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* Sound waves add in space through the principle of [https://www.acs.psu.edu/drussell/demos/superposition/superposition.html superposition]. If the waves from two sources perfectly add, you get twice the amplitude, which is +6 dB.  
* Sound waves add in space through the principle of [https://www.acs.psu.edu/drussell/demos/superposition/superposition.html superposition]. If the waves from two sources perfectly add, you get twice the amplitude, which is +6 dB.  


* To get the full +6 dB the two sources have to be spaced very closely together relative to a wavelength of sound. at 50 Hz, where the wavelength of sound is about 20' (about 7 meters) that's pretty easy to do. Massing your B1 bass modules is done for this reason -- to get the 6 dB per doubling of B1 systems. But at 1,000 Hz, where the wavelengths are 12 inches (about 30 cm) you just can't do get L1 speakers close enough. As a result, you get something less than 6 dB because at some angles instead of the sound waves constructively adding they will destructively cancel (one will be partly or completely out of phase with the other).
* To get the full +6 dB the two sources have to be spaced very closely together relative to a wavelength of sound. at 50 Hz, where the wavelength of sound is about 20' (about 7 meters) that's pretty easy to do. Massing your bass modules is done for this reason -- to get the 6 dB per doubling of bass module systems. But at 1,000 Hz, where the wavelengths are 12 inches (about 30 cm) you just can't do get {{L1}} speakers close enough. As a result, you get something less than 6 dB because at some angles instead of the sound waves constructively adding they will destructively cancel (one will be partly or completely out of phase with the other).


; +3 dB in practice
; +3 dB in practice