T1 ToneMatch® Audio Engine to F1 System: Difference between revisions
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The output from the T1® is balanced mono, as are the XLR and ¼ inch inputs on the F1 System. Use a ¼ inch jack Tip-Ring-Sleeve cable to make a balanced connection. If you use a ¼ inch jack Tip-Sleeve cable you will be making an unbalanced connection (-6dB less gain than a balanced connection). | The output from the T1® is balanced mono, as are the XLR and ¼ inch inputs on the F1 System. Use a ¼ inch jack Tip-Ring-Sleeve cable to make a balanced connection. If you use a ¼ inch jack Tip-Sleeve cable you will be making an unbalanced connection (-6dB less gain than a balanced connection). | ||
=== XLR connection from | === XLR connection from F1 Model 812 Line Out to second F1 Channel 1 === | ||
Use an ordinary microphone cable to connect the first F1 Model 812 to the second one. | Use an ordinary microphone cable to connect the first F1 Model 812 to the second one. | ||
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The output from the T1® is balanced mono, as are the XLR and ¼ inch inputs on the F1 System. Use a ¼ inch jack Tip-Ring-Sleeve cable to make a balanced connection. If you use a ¼ inch jack Tip-Sleeve cable you will be making an unbalanced connection (-6dB less gain than a balanced connection). | The output from the T1® is balanced mono, as are the XLR and ¼ inch inputs on the F1 System. Use a ¼ inch jack Tip-Ring-Sleeve cable to make a balanced connection. If you use a ¼ inch jack Tip-Sleeve cable you will be making an unbalanced connection (-6dB less gain than a balanced connection). | ||
=== XLR connection from | === XLR connection from F1 Model 812 Line Out to second F1 Channel 1 === | ||
Use an ordinary microphone cable to connect the first F1 Model 812 to the second one. | Use an ordinary microphone cable to connect the first F1 Model 812 to the second one. | ||