Setup 5 Minutes: Difference between revisions
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== Positions == | == Positions == | ||
I start with the | I start with the {{PS1}} a couple of feet from the back of the stage (if necessary for "elbow room" or lighting). | ||
It takes me about a minute to make all the connections. It will be faster when I get some nail polish to mark the "front" of the connectors for the remote and XLR connectors and some dummy plugs for the inputs that we don't use. | It takes me about a minute to make all the connections. It will be faster when I get some nail polish to mark the "front" of the connectors for the remote and XLR connectors and some dummy plugs for the inputs that we don't use. | ||
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The bags is labelled with the name of the player who uses it. It includes: | The bags is labelled with the name of the player who uses it. It includes: | ||
* | * {{R1}} | ||
* Power cable and if the player requires it for accessories, a small power bar | * Power cable and if the player requires it for accessories, a small power bar | ||
* B1 cable(s) | * B1 cable(s) | ||
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* Plug in the snake | * Plug in the snake | ||
* Slide the PowerStand and B1 into final positions | * Slide the PowerStand and B1 into final positions | ||
* L1 goes into the hole (note: this is the last step, and since learning to do it this way, I've spent a lot less time banging my head against it). | * {{L1 CR}} goes into the hole (note: this is the last step, and since learning to do it this way, I've spent a lot less time banging my head against it). | ||
After that we just don't need to access anything on the PowerStand. All the real-time, performance adjustments are on the Remote. | After that we just don't need to access anything on the PowerStand. All the real-time, performance adjustments are on the Remote. | ||