How Not To Hear What You've Got: Difference between revisions
DanCornett (talk | contribs) |
DanCornett (talk | contribs) Incorporating some of Chirs-at-Bose's May 14, 2008 comments |
||
| Line 18: | Line 18: | ||
== Do == | == Do == | ||
Think of the Bose System as your entire signal chain, | Think of the Bose System as your entire signal chain and listen, listen, and listen. That is: | ||
* | * Pick a sizable space ''(not your tiny basement practice room)'' and start as simple as possible. | ||
* Choose the appropriate preset on Channel 1 | * Take just one input ''(a mic is a good place to start)''. | ||
* Set the gain (see the manual) | * Choose the appropriate preset on Channel 1. | ||
* Turn up the volume and listen | * Set the gain (see the manual). | ||
* Work the tone controls on the Remote to tweak what you hear | * Turn up the volume 'til it sounds pleasantly loud and listen. | ||
* Work the tone controls on the Remote or the ToneMatch Audio Engine (T1) to tweak what you hear. | |||
* Once you are used to how the L1 is for you as a "stage monitor", get someone else to use the source ''(play, sing, whatever)'' and go out to the "audience area" and walk all around. | |||
* If you want to add effects or processors add them one at a time and listen carefully at each step along the way. | |||
* Accept that you will sound different, but much better. | |||
* Aim for "it sounds like me, only louder." | |||
If you | If things go poorly and you can't solve it, go straight to the forum for help. | ||
== Mistakes/Corrections I made along the way == | == Mistakes/Corrections I made along the way == | ||