Template:Bass Line Out: Difference between revisions
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<th>Output</th><th>EQ</th> | <th>Output</th><th>EQ</th> | ||
<th>Bass Signal Gain</th> | <th>Bass Signal Gain</th> | ||
<th>Notes</th> | |||
</tr> | </tr> | ||
<tr> | <tr> | ||
<td>1</td> | <td>1</td> | ||
<td | <td>40Hz-{{{Crossover|180}}}Hz</td> | ||
<td | <td>B1 specific EQ</td> | ||
<td | <td>Reference Level</td> | ||
<td> | |||
</tr> | </tr> | ||
<tr> | <tr> | ||
<td | <td>2</td> | ||
<td class="b1">40Hz-{{{Crossover|180}}}Hz</td> | <td class="b1">40Hz-{{{Crossover|180}}}Hz</td> | ||
<td class="b1">B1 specific EQ</td> | <td class="b1">B1 specific EQ</td> | ||
<td class="b1">Reference Level -6 dB</td> | <td class="b1">Reference Level -6 dB</td> | ||
<td>Why? Because when you add a second B1, if you did not change the signal strength you would get 6 dB more bass relative to the mids and highs. This would alter the tone of the instrument. To keep the tone the same, while still allowing the more dynamic range (system can play louder by 6 dB) the signal level must be reduced by 6 dB. | |||
</td> | |||
</tr> | </tr> | ||
</table> | </table> | ||
=== Cable connected to the Bass Line Out === | === Cable connected to the Bass Line Out === | ||