PackLite® power amplifier Model A1: Difference between revisions
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:I have never claimed to have a full and complete understanding of the bass thing, so I've been doing some reading from a while back and ran across something from Hilmar that might help me understand how and why you can go from 1 B1 to 4 B1's and not hear a major difference from a vocal or acoustic guitar that really just goes down to 80hz or so. | :I have never claimed to have a full and complete understanding of the bass thing, so I've been doing some reading from a while back and ran across something from Hilmar that might help me understand how and why you can go from 1 B1 to 4 B1's and not hear a major difference from a vocal or acoustic guitar that really just goes down to 80hz or so. | ||
Yes, that's correct. Fundamental frequencies of those instruments are not present below 80Hz. That is why you'll find 80Hz high-pass switches on so many mixers and microphones- it allows you to trash those unwanted frequencies. In a performance | Yes, that's correct. Fundamental frequencies of those instruments are not present below 80Hz. That is why you'll find 80Hz high-pass switches on so many mixers and microphones- it allows you to trash those unwanted frequencies. In a performance environment it halts the pickup of unwanted bass frequencies (instruments, HVAC units, crowd rumble) from bleeding into your mics. | ||
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