Feedback / Microphone: Difference between revisions

Line 1:

~~~~

Line 13:

Line 12:

* If you are using an {{Classic}} or {{Model I}} follow the instructions exactly as shown in the video.

* If you are using the {{T1}}, the principles are the same as shown on the video: simply substitute the trim on the T1 for the trim on the Classic or Model I. {{T1 icon}}

* If you are using the {{T1}}, the principles are the same as shown on the video: simply substitute the [[T1_ToneMatch%C2%AE_Audio_Engine#Set_Input_Trim|trim]] on the {{T1r}} for the trim on the Classic or Model I. {{T1 icon}}

If you are using effects, remove them from the signal chain until you can get sufficient [[Gain Before Feedback|gain before feedback]] to get performance level volume. Then add the effects back into the signal chain (one at a time) so you can be aware of the individual impacts that each effect is having on feedback.

@@ Line 1: / Line 1: @@
-<!-- TODO resolve and reconcile these so we have one note from the official pages and no conflicting advice -->
 <table><tr>
 <td valign="top" width="250">__TOC__</td>
@@ Line 13: / Line 12: @@
 * If you are using an {{Classic}} or {{Model I}} follow the instructions exactly as shown in the video.
-* If you are using the {{T1}}, the principles are the same as shown on the video: simply substitute the trim on the T1 for the trim on the Classic or Model I. {{T1 icon}}
+* If you are using the {{T1}}, the principles are the same as shown on the video: simply substitute the [[T1_ToneMatch%C2%AE_Audio_Engine#Set_Input_Trim|trim]] on the {{T1r}} for the trim on the Classic or Model I. {{T1 icon}}
 If you are using effects, remove them from the signal chain until you can get sufficient [[Gain Before Feedback|gain before feedback]] to get performance level volume. Then add the effects back into the signal chain (one at a time) so you can be aware of the individual impacts that each effect is having on feedback.