T1 ToneMatch® Audio Engine / Para EQ: Difference between revisions

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<noinclude><big>'''Understanding the {{T1}} Para EQ'''</big></noinclude>

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|RightHead = Introduction

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[[Image:T1ParaEQSettingsWidth.png|T1 Para EQ Width Setting]]

<br>This article applies to all ToneMatch mixers (T1/T4S/T8S).

<br>This article applies to all ToneMatch mixers (T1/T4S/T8S) except that the T1 has a single Parametric Equalizer per channel, and the T4S/T8S have three Parametric Equalizers per channel.

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So some concrete examples.

~~=== Guitar Body Resonance ===~~

I have a big body'd jazz ~~Guitar~~ that really likes to resonate at about 165Hz. That's an octave above the open (lowest Guitar) E string. So rather than having to mute that string all the time, I just dial up that frequency and set the width as narrow as I can - 0.2 (1/5 th of an octave) and setting the Level to -6 dB. This seems to do the trick, and since this Guitar really *loves* that note, dialing it back just balances things out a bit. I used -6 dB because I needed that much to tame the problem. In real life you fine tune the cut by ear. Use much as you need, but as little as possible.

I have a big body jazz guitar that really likes to resonate at about 165Hz. That's an octave above the open (lowest Guitar) E string. So rather than having to mute that string all the time, I just dial up that frequency and set the width as narrow as I can - 0.2 (1/5 th of an octave) and setting the Level to -6 dB. This seems to do the trick, and since this Guitar really *loves* that note, dialing it back just balances things out a bit. I used -6 dB because I needed that much to tame the problem. In real life you fine tune the cut by ear. Use much as you need, but as little as possible.

If you have a [http://en.wikipedia.org/wiki/Wolf_tone wolf tone] in your Bass, you could probably tame it with the Para EQ.

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 <noinclude><big>'''Understanding the {{T1}} Para EQ'''</big></noinclude>
 {{T4S icon}}{{T8S icon}}{{T1 icon}}
+{{Bose Reviewed}}
 {{DivToc
 |RightHead = Introduction
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 [[Image:T1ParaEQSettingsWidth.png|T1 Para EQ Width Setting]]
-<br>This article applies to all ToneMatch mixers (T1/T4S/T8S).
+<br>This article applies to all ToneMatch mixers (T1/T4S/T8S) except that the T1 has a single Parametric Equalizer per channel, and the T4S/T8S have three Parametric Equalizers per channel.
 |Categories =
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 So some concrete examples.
-=== Guitar Body Resonance ===
-I have a big body'd jazz Guitar that really likes to resonate at about 165Hz. That's an octave above the open (lowest Guitar) E string. So rather than having to mute that string all the time, I just dial up that frequency and set the width as narrow as I can - 0.2 (1/5 th of an octave) and setting the Level to -6 dB. This seems to do the trick, and since this Guitar really *loves* that note, dialing it back just balances things out a bit. I used -6 dB because I needed that much to tame the problem. In real life you fine tune the cut by ear. Use much as you need, but as little as possible.
+I have a big body jazz guitar that really likes to resonate at about 165Hz. That's an octave above the open (lowest Guitar) E string. So rather than having to mute that string all the time, I just dial up that frequency and set the width as narrow as I can - 0.2 (1/5 th of an octave) and setting the Level to -6 dB. This seems to do the trick, and since this Guitar really *loves* that note, dialing it back just balances things out a bit. I used -6 dB because I needed that much to tame the problem. In real life you fine tune the cut by ear. Use much as you need, but as little as possible.
 If you have a [http://en.wikipedia.org/wiki/Wolf_tone wolf tone] in your Bass, you could probably tame it with the Para EQ.