T1 Compatibility With L1 Pro Systems: Difference between revisions
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;Question: Can I use the {{T1}} with the {{L1PS}}s? | ;Question: Can I use the {{T1}} with the {{L1PS}}s? | ||
[[File:T1 to L1 Pro.jpg| | [[File:T1 to L1 Pro.jpg|400px|right]] | ||
;Answer: Yes using two connections | ;Answer: Yes using two connections | ||
# ToneMatch port supplies power to the {{T1}} | |||
# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3) | |||
:; Required | |||
# ToneMatch cable (these were included with the {{T1}}), or network cable (CAT5/6/7) up to 50 feet<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}} for power. | |||
# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work. | |||
;Connections and initial settings | |||
# On the L1 Pro, turn off the system and turn down the volume on all channels | |||
# On the {{T1}}, turn the Master Volume off | |||
# Power: Connect the {{L1P}} ToneMatch port to the {{T1}} ToneMatch port using the ToneMatch cable | # Power: Connect the {{L1P}} ToneMatch port to the {{T1}} ToneMatch port using the ToneMatch cable | ||
# Audio: Connect the {{T1}} Master Output to the {{L1P}} channel 3 unless you are already using it for Bluetooth or another sound source. This leaves channels 1 and 2 open for other sound sources. | # Audio: Connect the {{T1}} Master Output to the {{L1P}} channel 3 unless you are already using it for Bluetooth or another sound source. This leaves channels 1 and 2 open for other sound sources. | ||
#* On channel 3, set Treble and Bass at 12:00 (flat) | |||
#* If you connect to {{L1P}} channel 1 or channel 2 | #* If you connect to {{L1P}} channel 1 or channel 2 | ||
#** On the {{L1P}} channel: | #** On the {{L1P}} channel: | ||
| Line 9: | Line 18: | ||
#***Turn off Reverb | #***Turn off Reverb | ||
#***Set Bass and Treble to 12:00 o'clock | #***Set Bass and Treble to 12:00 o'clock | ||
#* For best results, use a 1/4 inch (6.3 mm) Tip-Ring-Sleeve cable for a balanced connection | #* '''For best results''', use a 1/4 inch (6.3 mm) Tip-Ring-Sleeve cable for a [[Balanced_vs_Unbalanced#Balanced_Connections_Preferred_When_Possible|balanced connection]] [[File:14trstotrs.jpg|200px|right]] | ||
;Power up and gain staging | |||
: Summary: Set the L1 Pro channel volume and the {{T1}} Master Volume to 12:00 o'clock and adjust from there as necessary | |||
;Details | |||
# Turn on the L1 Pro (normally you would turn on the power amplifier last, but you need it turned on to power the {{T1}}) | |||
# On the {{T1}} | |||
#* Attach a signal source to one of the {{T1}}, e.g., a microphone | |||
#* Turn on the power | |||
#* Turn up the Trim until you see a solid green light on the channel trim | |||
#* Turn up the channel volume to 12:00 o'clock | |||
# On the L1 Pro | |||
#* Turn up the volume on the channel to which you connected the {{T1}} to 12:00 o'clock | |||
# On the {{T1}} | |||
#* Turn up the Master volume to the desired level | |||
; Why do you need two connections? | |||
<blockquote> | <blockquote> | ||
Regarding T1 compatibility with the L1 Pro systems: The architecture of the T1 ToneMatch differs from that of the T4S and T8S ToneMatch mixers and is not compatible with the L1 Pro’s S/PDIF audio architecture. | Regarding T1 compatibility with the L1 Pro systems: The architecture of the T1 ToneMatch differs from that of the T4S and T8S ToneMatch mixers and is not compatible with the L1 Pro’s S/PDIF audio architecture. | ||
| Line 23: | Line 47: | ||
;Question: Why use a {{T1}} with the {{L1PS}}s? | ;Question: Why use a {{T1}} with the {{L1PS}}s? | ||
;Answer: | ;Answer: | ||
* Use the {{T1}} to add three more XLR/Combo jack inputs and channel 4/5 dual input (combines stereo to mono). You give up the third input on the {{L1PS}} but get four inputs — a net gain of three inputs | * Use the {{T1}} to add three more XLR/Combo jack inputs and channel 4/5 dual input (combines stereo to mono). You give up the third input on the {{L1PS}} but get four inputs — a net gain of three inputs | ||
* The L1 Pro32 built-in mixer has ToneMatch Presets, Bass, Treble, and Reverb. <br> | |||
If you already own a {{T1}}: | |||
* The {{T1}} has more tone control options with zEQ, ParaEQ | |||
* The {{T1}} has more fine-grain control for Reverb (Type/Mix/Brite) | |||
* The {{T1}} has more effects: Comp/Gate, Mod, Delay | |||
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[[Category:T1]] | [[Category:T1]] | ||
[[Category:L1 Pro]] | [[Category:L1 Pro]] | ||