T1 Compatibility With L1 Pro Systems: Difference between revisions

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;Q: Can I use the {{T1}} with the {{L1PS}}s?

;Question: Can I use the {{T1}} with the {{L1PS}}s?

[[File:T1 to L1 Pro.jpg|400px|right]]

;A:

;Answer: Yes using two connections

# ToneMatch port supplies power to the {{T1}}

# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3)

:; Required

# ToneMatch cable (these were included with the {{T1}}), or network cable (CAT5/6/7) up to 50 feet<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}} for power.

# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.

;Connections and initial settings

# On the L1 Pro, turn off the system and turn down the volume on all channels

# On the {{T1}}, turn the Master Volume off

# Power: Connect the {{L1P}} ToneMatch port to the {{T1}} ToneMatch port using the ToneMatch cable

# Audio: Connect the {{T1}} Master Output to the {{L1P}} channel 1 or channel 2.

# Audio: Connect the {{T1}} Master Output to the {{L1P}} channel 3 unless you are already using it for Bluetooth or another sound source. This leaves channels 1 and 2 open for other sound sources.

#* On the {{L1P}} channel:

#* On channel 3, set Treble and Bass at 12:00 (flat)

#**Turn off the ToneMatch Preset

#* If you connect to {{L1P}} channel 1 or channel 2

#**Turn off Reverb

#** On the {{L1P}} channel:

#**Set Bass and Treble to 12:00 o'clock

#***Turn off the ToneMatch Preset

#* For best results, use a 1/4 inch (6.3 mm) Tip-Ring-Sleeve cable for a balanced connection

#***Turn off Reverb

#***Set Bass and Treble to 12:00 o'clock

#* '''For best results''', use a 1/4 inch (6.3 mm) Tip-Ring-Sleeve cable for a [[Balanced_vs_Unbalanced#Balanced_Connections_Preferred_When_Possible|balanced connection]] [[File:14trstotrs.jpg|200px|right]]

;Power up and gain staging

: Summary: Set the L1 Pro channel volume and the {{T1}} Master Volume to 12:00 o'clock and adjust from there as necessary

;Details

# Turn on the L1 Pro (normally you would turn on the power amplifier last, but you need it turned on to power the {{T1}})

# On the {{T1}}

#* Attach a signal source to one of the {{T1}}, e.g., a microphone

#* Turn on the power

#* Turn up the Trim until you see a solid green light on the channel trim

#* Turn up the channel volume to 12:00 o'clock

# On the L1 Pro

#* Turn up the volume on the channel to which you connected the {{T1}} to 12:00 o'clock

# On the {{T1}}

#* Turn up the Master volume to the desired level

; Why do you need two connections?

Regarding T1 compatibility with the L1 Pro systems: The architecture of the T1 ToneMatch differs from that of the T4S and T8S ToneMatch mixers and is not compatible with the L1 Pro’s S/PDIF audio architecture.

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Source: [https://community.bose.com/t5/Portable-PA/Bose-l1-Pro-with-Tonematch-Mixers-T1-T4s-T8s/m-p/563415/highlight/true#M191074 Bose l1 Pro with Tonematch Mixers (T1, T4s, T8s)]

</blockquote>

;Question: Why use a {{T1}} with the {{L1PS}}s?

;Answer:

* Use the {{T1}} to add three more XLR/Combo jack inputs and channel 4/5 dual input (combines stereo to mono). You give up the third input on the {{L1PS}} but get four inputs — a net gain of three inputs

* The L1 Pro32 built-in mixer has ToneMatch Presets, Bass, Treble, and Reverb. <br>

If you already own a {{T1}}:

* The {{T1}} has more tone control options with zEQ, ParaEQ

* The {{T1}} has more fine-grain control for Reverb (Type/Mix/Brite)

* The {{T1}} has more effects: Comp/Gate, Mod, Delay

----

[[Category:T1]]

[[Category:L1 Pro]]

@@ Line 1: / Line 1: @@
-;Q: Can I use the {{T1}} with the {{L1PS}}s?
+;Question: Can I use the {{T1}} with the {{L1PS}}s?
+[[File:T1 to L1 Pro.jpg|400px|right]]
-;A:
+;Answer: Yes using two connections
+# ToneMatch port supplies power to the {{T1}}
+# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3)
+:; Required
+# ToneMatch cable (these were included with the {{T1}}), or network cable (CAT5/6/7) up to 50 feet<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}} for power.
+# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.
+;Connections and initial settings
+# On the L1 Pro, turn off the system and turn down the volume on all channels
+# On the {{T1}}, turn the Master Volume off
 # Power: Connect the {{L1P}} ToneMatch port to the {{T1}} ToneMatch port using the ToneMatch cable
-# Audio: Connect the {{T1}} Master Output to the {{L1P}} channel 1 or channel 2.
+# Audio: Connect the {{T1}} Master Output to the {{L1P}} channel 3 unless you are already using it for Bluetooth or another sound source. This leaves channels 1 and 2 open for other sound sources.
-#* On the {{L1P}} channel:
+#* On channel 3, set Treble and Bass at 12:00 (flat)
-#**Turn off the ToneMatch Preset
+#* If you connect to {{L1P}} channel 1 or channel 2
-#**Turn off Reverb
+#** On the {{L1P}} channel:
-#**Set Bass and Treble to 12:00 o'clock
+#***Turn off the ToneMatch Preset
-#* For best results, use a 1/4 inch (6.3 mm) Tip-Ring-Sleeve cable for a balanced connection
+#***Turn off Reverb
+#***Set Bass and Treble to 12:00 o'clock
+#* '''For best results''', use a 1/4 inch (6.3 mm) Tip-Ring-Sleeve cable for a [[Balanced_vs_Unbalanced#Balanced_Connections_Preferred_When_Possible|balanced connection]] [[File:14trstotrs.jpg|200px|right]]
+;Power up and gain staging
+: Summary: Set the L1 Pro channel volume and the {{T1}} Master Volume to 12:00 o'clock and adjust from there as necessary
+;Details
+# Turn on the L1 Pro (normally you would turn on the power amplifier last, but you need it turned on to power the {{T1}})
+# On the {{T1}}
+#* Attach a signal source to one of the {{T1}}, e.g., a microphone
+#* Turn on the power
+#* Turn up the Trim until you see a solid green light on the channel trim
+#* Turn up the channel volume to 12:00 o'clock
+# On the L1 Pro
+#* Turn up the volume on the channel to which you connected the {{T1}} to 12:00 o'clock
+# On the {{T1}}
+#* Turn up the Master volume to the desired level
+; Why do you need two connections?
 <blockquote>
 Regarding T1 compatibility with the L1 Pro systems: The architecture of the T1 ToneMatch differs from that of the T4S and T8S ToneMatch mixers and is not compatible with the L1 Pro’s S/PDIF audio architecture.
@@ Line 21: / Line 44: @@
 Source: [https://community.bose.com/t5/Portable-PA/Bose-l1-Pro-with-Tonematch-Mixers-T1-T4s-T8s/m-p/563415/highlight/true#M191074 Bose l1 Pro with Tonematch Mixers (T1, T4s, T8s)]
 </blockquote>
+;Question: Why use a {{T1}} with the {{L1PS}}s?
+;Answer:
+* Use the {{T1}} to add three more XLR/Combo jack inputs and channel 4/5 dual input (combines stereo to mono). You give up the third input on the {{L1PS}} but get four inputs &mdash; a net gain of three inputs
+* The L1 Pro32 built-in mixer has ToneMatch Presets, Bass, Treble, and Reverb. <br>
+If you already own a {{T1}}:
+* The {{T1}} has more tone control options with zEQ, ParaEQ
+* The {{T1}} has more fine-grain control for Reverb (Type/Mix/Brite)
+* The {{T1}} has more effects: Comp/Gate, Mod, Delay
 ----
 [[Category:T1]]
 [[Category:L1 Pro]]