T4S/T8S ToneMatch® Mixer: Difference between revisions
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[[File:ToneMatch_Mixers_Family_Ortho_Top_halfRes.jpg| | {{T4S icon}}{{T8S icon}} | ||
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<div><h2>Introduction</h2> | |||
[[File:ToneMatch_Mixers_Family_Ortho_Top_halfRes.jpg|link=https://pro.bose.com/en_us/products/loudspeakers/portable/t8s_tonematch_mixer.html#v=t8s_tonematch_mixer_black|class=hero|See it on the Bose Pro website]] | |||
Introduced January 23, 2018 | Introduced January 23, 2018 | ||
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== Documentation == | == Documentation == | ||
{{T4S/T8S ToneMatch Mixer Owners Guide}} | {{T4S/T8S ToneMatch Mixer Owners Guide}} | ||
=== Register === | |||
[https://global.bose.com/en_us/product_registration.html Register your ToneMatch mixer] | |||
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==Inputs== | |||
{{ToneMatch Mixer Inputs}} | |||
== Gain Staging == | |||
{{ToneMatch Mixer Gain Staging and ToneMatch Preset}} | |||
===== Set Up Your Source ===== | |||
Set your source at the maximum that it will be when performing. | |||
* Microphone | |||
:Sing directly into the microphone using close microphone technique (lips just brushing the windscreen). Sing as loudly as you will sing during your performance. You want to set the Trim to work at your maximum volume. | |||
* Instrument | |||
:Turn your input as high as it is likely to go during performance. | |||
===== Trim Controls ===== | |||
The {{ToneMatch Mixer}} trim controls for Channels 1-4 (1-8 for the {{T8S}}) provide a significant gain increase when you reach the upper limit. This increase in gain is normal operation. | |||
Most sources like microphones and piezo pickup systems can provide enough level so ou don't need to turn up the gain very high on the trim control. Certain sources like passive acoustic guitar pickups require more gain and in these cases it can be necessary to set the trim level to the upper range of the control. When the trim control is set this high you may notice the gain change. This is normal operation. If you want to run the trim control at lower settings we recommend using a preamp or simple stomp box level booster. | |||
=====Aux Inputs channels 5/6 (9/10 for the T8S)===== | |||
The Aus inputs are designed for line-level sources and these can be balanced or unbalanced. | |||
The input sensitivity is lower than the main inputs and that is appropriate for line-level inputs. | |||
They do not have trim controls or physical volume controls. You set the level in the PAN/AUX settings on the ToneMatch Mixer, and you can monitor the input levels in PREFS/Input Level. | |||
== Firmware Updates == | |||
{{T4S/T8S Check your Firmware}} | |||
== Mounting Options == | |||
[[File:T4S T8S Mounting.jpg|link=https://community.bose.com/t5/Portable-PA/T4S-T8S-Mixers-1-4-inch-6mm-Mounting-Screw-Mounting-Options/td-p/509777]] | |||
Please this discussion in the community [https://community.bose.com/t5/Portable-PA/T4S-T8S-Mixers-1-4-inch-6mm-Mounting-Screw-Mounting-Options/td-p/509777 T4S/T8S ToneMatch Mixer Mounting Options]. | |||
== USB A Playback == | |||
{{T4S/T8S USB A}} | |||
;Note: Routing settings for USB from PC are also applied to USB A playback. See [[{{PAGENAME}}#USB B from PC|USB B from PC]] below. | |||
=== T4S/T8S USB A Playback === | |||
{{T4S/T8S USB A Playback and Scenes}} | |||
== USB B from PC == | |||
{{T8S USB from PC}} | |||
== USB to PC == | |||
{{T8S USB to PC}} | |||
== Aux Inputs == | == Aux Inputs == | ||
{{T4S/T8S Aux Inputs}} | |||
== Aux Outputs == | |||
{{T8S Pan Aux}} | |||
== Scenes == | |||
=== Documentation Update === | |||
==== Definitions ==== | |||
The following is a update to T4S/T8S ToneMatch Mixer Owners Guide | |||
[[File:T4S T8S Scenes Definition.jpg|thumb|600px|link=https://assets.bose.com/content/dam/Bose_DAM/Web/pro/global/products/portable_PA/T4S_tonematch/Downloads/Manuals/AM801203_00_viewable.pdf]] | |||
;Additional information | |||
A scene remembers the setting for Global EQ | |||
A scene does not remember or change the settings of the other scenes. | |||
;Correction | |||
The T4S/T8S includes three types of scenes: | |||
* (5) Bose scenes: Factory-preset scenes. You can edit and overwrite them. | |||
* (6) User Scenes: User-definable scenes for saving and recalling all your favorite settings. You can update these scenes by overwriting them as many times as you want. | |||
* Firmware version 1.1.0 One of the User Scenes is a Shared Scene: A user-definable scene for saving settings you want to share with other T4S/T8S ToneMatch® mixer users. This scene can be uploaded to a computer using the [[Firmware Prerequisites|L1® updater software]]. | |||
==== Factory Settings Scene==== | |||
[[File:T4S T8S Factory Settings Scene.jpg|thumb|600px|link=https://assets.bose.com/content/dam/Bose_DAM/Web/pro/global/products/portable_PA/T4S_tonematch/Downloads/Manuals/AM801203_00_viewable.pdf]] | |||
;From the owner's guide | |||
:''This scene restores the mixer to the settings it had when it left the factory. Loading this scene erases any changes you previously made to the currently loaded scene.'' | |||
;Notes: | |||
* Loading the Factory Settings scene does not affect any other stored scenes. | |||
* Loading the Factory Settings scene is not the same as doing a [[T4S/T8S Factory Reset]]. | |||
== Factory Settings == | |||
=== Documentation Update=== | |||
{{T4S/T8S Factory Settings}} | |||
{{T4S/T8S Mono Output}} | |||
=== T4S to S1 Pro === | |||
{{:T4S to S1 Pro}} | |||
== Headphone Output == | |||
{{T4S/T8S Headphone Output}} | |||
== Reverb Settings == | |||
{{T4S/T8S Reverb Settings}} | |||
== Delay Tap Tempo == | |||
You can set the time parameter of the delays by tapping the middle button under the display. | |||
# Press CH EDIT for the channel you want to change | |||
# Turn the Rotary Selector to DELAY | |||
# Choose the type of delay you want (Digital, Analog, Tape) | |||
# Use the Right-most button under the display to set the Mix / Feedback | |||
# Turn the middle button under the display to set the Time | |||
[[File:T4S Digital Delay Tap 1.jpg]] | |||
OR you can push the middle button in time to the rhythm you want for the display. This will change the tempo of the delay and display the tempo in BPM (Beats Per Minute) | |||
[[File:T4S Digital Delay Tap 2.jpg]] | |||
The maximum delay is 500 milliseconds. This is 120 BPM (Beats Per Minute). If you tap anything slower than that, it won't register. If you are working at a tempo slower than 120 BPM, try tapping eighth notes. | |||
Here is an interest site and conversion calculator [http://www.sengpielaudio.com/calculator-bpmtempotime.htm BPM Tempo Time Calculator] | |||
== Comp/Gate == | |||
{{:ToneMatch Mixers Compression}} | |||
== T8S ToneMatch port connection to {{L1P}} == | |||
{{T8S to L1 Pro}} | |||
== T8S no ToneMatch port connection to L1® Model 1S or L1 Model II == | |||
Bose engineered all the ToneMatch mixers (T1®, T4S, T8S) to offer the same excellent quality audio whether you use the ToneMatch cable (T1® or T4S) or a balanced cable (T8S) for audio. | |||
If you are using good quality balanced cables there should be no difference between using any combination of XLR and 1/4 inch Tip-Ring-Sleeve connections. | |||
The benefit of using the Cat-5 cable for the T1® or T4S is convenience because you don't need to use the T1®/T8S power supply. Unfortunately, the Model II Power Stand can not supply enough power to operate a T8S. This is why a ToneMatch Power Supply is included with the T8S. | |||
== T8S Analog Outputs == | |||
The outputs on the T8S are analog. The RJ45 port is for the ToneMatch Power Supply that is included with the T8S. The RJ45 port cannot be used to connect to an L1® Model II or L1® Model 1S. | |||
Bose engineered all the ToneMatch mixers (T1®, T4S, T8S) to offer the same excellent quality audio whether you use the ToneMatch cable (T1®, T4S) or a balanced cable for audio (T8S). | |||
There are two balanced 1/4 inch (6mm) Tip-Ring-Sleeve outputs (Left and Right). These are convenient for connecting to the L1® Model II or L1 Model 1S Power Stands as well as F1 Model 812s. | |||
There are two balanced XLR outputs (Left and Right). These are convenient for connecting to other powered loudspeakers with XLR inputs. | |||
=== Total number of inputs - Comparing T8S with two T1®s === | |||
;With the T8S and two L1® Model 1S or L1® Model II you have | |||
*8 - Combo inputs | |||
*2 - Aux inputs 1/4 inch (6mm) | |||
That's 10 inputs in total. | |||
;With the T1® with two L1® Model II or L1® Model 1S | |||
First T1® | |||
*3 - Combo inputs | |||
*1 - Aux input 1/4 inch (6mm). Channel 4/5 is a single channel with two inputs. | |||
*1 - Aux input on the L1® Model 1S or L1 Model II Power Stand | |||
Second T1® | |||
*3 - Combo inputs | |||
*1 - Aux input 1/4 inch (6mm). Channel 4/5 is a single channel with two inputs. | |||
*1 - Aux input on the L1® Model 1S or L1 Model II Power Stand | |||
The total is | |||
*6 - Combo inputs | |||
*4 Aux inputs 1/4 inch (6mm) | |||
That's 10 inputs in total. If you want to count Channel 5 on the T1®s you're up to 12 inputs, but channel 4/5 is really a single channel with two input jacks for combining a stereo signal. | |||
== Comparison to T1® ToneMatch audio engine == | == Comparison to T1® ToneMatch audio engine == | ||
{{:Bose T4S and T8S ToneMatch® Mixers Compared to Bose T1® ToneMatch Audio Engine}} | {{:Bose T4S and T8S ToneMatch® Mixers Compared to Bose T1® ToneMatch Audio Engine}} | ||
== FAQs == | |||
{{T4S/T8S FAQ}} | |||
---- | ---- | ||
[[Category:T4S]] | [[Category:T4S]] | ||
[[Category:T8S]] | [[Category:T8S]] | ||