ToneMatch®

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The L1 system is unique because it delivers the improvement consistently across the stage and throughout the audience in a way no conventional speaker can.

== ToneMatch Switch on L1 Pro and S1 Pro+ ==

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You might not want to change anything once you hear the improvement provided by a ToneMatch® preset.

But if you do, there’s another key new technology built into the {{T1}} for doing just that.

But if you do, there’s another key new technology built into the {{ToneMatch Mixer}} for doing just that.

It’s called [[T1_ToneMatch%C2%AE_Audio_Engine_/_zEQ|zEQ]].

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First, you select you ToneMatch preset.

Then, you turn the rotary selector on the T1 to zEQ.

Then, you turn the rotary selector on the {{ToneMatch Mixer}} to zEQ.

At this point, three controls on the T1 are automatically programmed to provide tonal enhancements for your voice or instrument.

At this point, three controls on the {{ToneMatch Mixer}} are automatically programmed to provide tonal enhancements for your voice or instrument.

If you’ve selected a preset for bass guitar, for example, the three controls are programmed to allow tonal enhancements for that particular instrument. If you choose a vocal mic, the controls are programmed for vocals, and so on.

It is the combination of the new tone-shaping technologies in the T1 engine, married to the exceptional coverage and high degree of portability in the ~~new~~ L1 ~~model II~~ system, that compels Bose to say that this is the most advanced system they’ve ever offered to musicians.

It is the combination of the new tone-shaping technologies in the {{ToneMatch Mixer}} engine, married to the exceptional coverage and high degree of portability in the L1 system, that compels Bose to say that this is the most advanced system they’ve ever offered to musicians.

ToneMatch®: Difference between revisions

ST (talk | contribs)

@@ Line 55: / Line 55: @@
 The L1 system is unique because it delivers the improvement consistently across the stage and throughout the audience in a way no conventional speaker can.
+== ToneMatch Switch on L1 Pro and S1 Pro+ ==
+{{ToneMatch Switch}}
@@ Line 60: / Line 63: @@
 You might not want to change anything once you hear the improvement provided by a ToneMatch® preset.
-But if you do, there’s another key new technology built into the {{T1}} for doing just that.
+But if you do, there’s another key new technology built into the {{ToneMatch Mixer}} for doing just that.
 It’s called [[T1_ToneMatch%C2%AE_Audio_Engine_/_zEQ|zEQ]].
@@ Line 66: / Line 69: @@
 First, you select you ToneMatch preset.
-Then, you turn the rotary selector on the T1 to zEQ.
+Then, you turn the rotary selector on the {{ToneMatch Mixer}} to zEQ.
-At this point, three controls on the T1 are automatically programmed to provide tonal enhancements for your voice or instrument.
+At this point, three controls on the {{ToneMatch Mixer}} are automatically programmed to provide tonal enhancements for your voice or instrument.
 If you’ve selected a preset for bass guitar, for example, the three controls are programmed to allow tonal enhancements for that particular instrument. If you choose a vocal mic, the controls are programmed for vocals, and so on.
-It is the combination of the new tone-shaping technologies in the T1 engine, married to the exceptional coverage and high degree of portability in the new L1 model II system, that compels Bose to say that this is the most advanced system they’ve ever offered to musicians.
+It is the combination of the new tone-shaping technologies in the {{ToneMatch Mixer}} engine, married to the exceptional coverage and high degree of portability in the L1 system, that compels Bose to say that this is the most advanced system they’ve ever offered to musicians.