Dual Mono: Difference between revisions
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== Introduction == | |||
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This article pertains to Dual Mono with all {{L1}} systems. | |||
=== {{L1}} Systems === | |||
The {{L1}} systems have extremely wide horizontal dispersion. As a result, running multiple {{L1}} systems in the same sound field may result in overlap. The comments below are applicable in that context. | |||
===Non-{{L1}} Systems === | |||
The {{F1}} and {{S1}} systems have narrower horizontal dispersion. If you space those systems apart or aim them to avoid overlap, this article is not applicable. | |||
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==Dual Mono== | |||
This is amplifying the same sound source through two separate loudspeakers. | This is amplifying the same sound source through two separate loudspeakers. | ||
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Hilmar-at-Bose wrote: | Hilmar-at-Bose wrote: | ||
:Dual mono is usually not a good idea, if you have more than one performer. With more than one performer/source it's in my opinion always preferable to separate the sources (i.e. one source per L1). The spatial separation and precise localization | :Dual mono (with the {{L1}} systems) is usually not a good idea, if you have more than one performer. With more than one performer/source it's in my opinion always preferable to separate the sources (i.e. one source per L1). The spatial separation and precise localization help more with clarity much more than the added gain. | ||
:For a single performer/single source it's not quite so clear cut. One will be more accurate (i.e. sound is clearly located at performer's position, more consistent spectrum) and two will sound wider and more spacious. In the end, that is an artistic decision, depending on which one is closer to your artistic intent. | :For a single performer/single source, it's not quite so clear cut. One will be more accurate (i.e. sound is clearly located at the performer's position, more consistent spectrum) and two will sound wider and more spacious. In the end, that is an artistic decision, depending on which one is closer to your artistic intent. | ||
:-- Source [https://www.bosepro.community/g/portable/topic/question-for-bose-techs?reply=18197182791860998#18197182791860998 Dual mono is usually not a good idea] | :-- Source [https://www.bosepro.community/g/portable/topic/question-for-bose-techs?reply=18197182791860998#18197182791860998 Dual mono is usually not a good idea] | ||
=== Gain Before Feedback === | |||
To optimize gain before feedback, each microphone should be heard through only one {{L1}}. | |||
Feedback occurs when the sound from the loudspeaker (or loudspeakers if a microphone is connected to more than one) is louder at the microphone than the sound of the voice. As you increase the number of loudspeakers a microphone is connected to (e.g., dual mono), you increase the possible paths for feedback and lower the gain before feedback. | |||
== Benefits of Two L1 Systems == | |||
{{Two L1 Systems}} | |||
== Two L1 Systems Overlapping == | |||
{{:Two L1 Systems Overlapping}} | |||
== Multiple Source Interference == | |||
{{:Multiple Source Interference}} | |||
==Related reading== | |||
*[[Can I Use It as a PA]]? (Cliff-at-Bose talks about Dual Mono) | *[[Can I Use It as a PA]]? (Cliff-at-Bose talks about Dual Mono) | ||
* [[Two L1 Systems]] | |||
*[http://bose.infopop.cc/eve/forums/a/tpc/f/8766055944/m/217104153/r/656105263 Stereo vs. Mono in a Live Setting] | *[http://bose.infopop.cc/eve/forums/a/tpc/f/8766055944/m/217104153/r/656105263 Stereo vs. Mono in a Live Setting] | ||